The Tragedie of Antonie and CleopatraClassic Books Company, 2001 - 500ÆäÀÌÁö The Shakespearean Original series aims to provide readers of modern drama with 16th and 17th century laytexts which have been treated as historical documents, and will be reproduced in a form as close as the conditions of modern publication will permit to their original forms. KEY TOPICS: The Series has generated considerable debate in the academic community; it is very controversial. Students, researchers, teachers in Literary Studies and Shakespeare Studios. |
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23 ÆäÀÌÁö
... Ktly, Dyce ii, iii. 76-78. that hee... happy.] Three lines, ending Fame ... hope ... happy. Pope, Theob. Han. Warb. Three lines, ending who. ..hope... happy ! Cap. et seq. 77. Lyar...of him] liar Fame, Who speaks him thus Pope, Theob ...
... Ktly, Dyce ii, iii. 76-78. that hee... happy.] Three lines, ending Fame ... hope ... happy. Pope, Theob. Han. Warb. Three lines, ending who. ..hope... happy ! Cap. et seq. 77. Lyar...of him] liar Fame, Who speaks him thus Pope, Theob ...
33 ÆäÀÌÁö
... Ktly. 112. 113. Hath. ..Afia] One line, Rowe, -r, Cap. Var. '73, '78, Ran. Mai. 113. Extended] thrd extended Han. Cap. 113, 114. from... Jhooke] His conquering banner from Euphrates shook Han. 1 1 3-1 15. from... whir ft] Lines end ...
... Ktly. 112. 113. Hath. ..Afia] One line, Rowe, -r, Cap. Var. '73, '78, Ran. Mai. 113. Extended] thrd extended Han. Cap. 113, 114. from... Jhooke] His conquering banner from Euphrates shook Han. 1 1 3-1 15. from... whir ft] Lines end ...
34 ÆäÀÌÁö
... Ktly. 1 18-120. Speake. ..Rome] Two lines, ending tongue.. .Rome Rowe et seq. (subs.) 120. Jhe is] she's Rowe ii, + ,Cap. Ran. Mai. Steev. Var. Knt, Dyce ii, iii. 121. phrafe) praise Gould. my faults] thy faults F3F4> 124. windes] Fa ...
... Ktly. 1 18-120. Speake. ..Rome] Two lines, ending tongue.. .Rome Rowe et seq. (subs.) 120. Jhe is] she's Rowe ii, + ,Cap. Ran. Mai. Steev. Var. Knt, Dyce ii, iii. 121. phrafe) praise Gould. my faults] thy faults F3F4> 124. windes] Fa ...
44 ÆäÀÌÁö
... Ktly. do it Nicholson ap. Cam. Scene IV. Pope, + . Scene III. Cap. et seq. The same. Another Room. Cap. [Tripods. Vases for perfumes. Grecian Statue of Antony with attributes of Hercules. Egyptian Sofas, Tables, Chairs, Musical ...
... Ktly. do it Nicholson ap. Cam. Scene IV. Pope, + . Scene III. Cap. et seq. The same. Another Room. Cap. [Tripods. Vases for perfumes. Grecian Statue of Antony with attributes of Hercules. Egyptian Sofas, Tables, Chairs, Musical ...
48 ÆäÀÌÁö
... Ktly. 50. race\ ray Han. 52. greatefl\ greater Ff, Rowe, Pope. 40. Riotous madnesse] This is her own self-reproach. 49. browes bent] Steevens : That is, the arch of the eye-brows. So, in King John ; c Why do you bend such solemn brows ...
... Ktly. 50. race\ ray Han. 52. greatefl\ greater Ff, Rowe, Pope. 40. Riotous madnesse] This is her own self-reproach. 49. browes bent] Steevens : That is, the arch of the eye-brows. So, in King John ; c Why do you bend such solemn brows ...
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adopted Antony Antony's appears arms bear beauty become believe better bring Caesar called Capell Ccefar character Cleo Cleopatra Coll death doubt Dyce edition editors Egypt Enobarbus Enter Eros et seq expression eyes fear Folio fortune Friends give given Gods hand haue hear heart Iras Italy Johns Johnson king Ktly leave look Lord lost meaning mind nature never noble Octavia once passage perhaps person play Plutarch poet Pope possible present queen refers Roman Rome Rowe et seq says Scene seems sense Shakespeare Sing soul speak speech Steev Steevens subs suppose sure tell thee Theob things thou thought tragedy true Varr vnto Walker Warb woman
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345 ÆäÀÌÁö - My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
27 ÆäÀÌÁö - And he sent them to Bethlehem, and said, Go, and search diligently for the young child, and when ye have found him, bring me word again, that I may come and worship him also.
366 ÆäÀÌÁö - He words me, girls, he words me, that I should not Be noble to myself; but hark thee, Charmian. [Whispers CHARMIAN. Iras. Finish, good lady ; the bright day is done, And we are for the dark.
xv ÆäÀÌÁö - His legs bestrid the ocean : his rear'd arm Crested the world : his voice was propertied As all the tuned spheres, and that to friends ; But when he meant to quail and shake the orb, He was as rattling thunder. For his bounty, There...
135 ÆäÀÌÁö - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
178 ÆäÀÌÁö - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
294 ÆäÀÌÁö - Nay, do not think I flatter ; For what advancement may I hope from thee, That no revenue hast but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd ? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee Where thrift may follow fawning.
xv ÆäÀÌÁö - My desolation does begin to make A better life : Tis paltry to be Caesar; Not being fortune, he's but fortune's knave, A minister of her will ; And it is great To do that thing that ends all other deeds ; Which shackles accidents, and bolts up change; Which sleeps, and never palates more the dung, The beggar's nurse and Caesar's.