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The Complete Art of Poetry ...

 (Google eBook)
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C. Rivington, 1718
  

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168 ÆäÀÌÁö - Beyond this flood a frozen continent Lies, dark and wild, beat with perpetual storms Of whirlwind and dire hail ; which on firm land Thaws not, but gathers heap, and ruin seems Of ancient pile ; all else deep snow and ice...
442 ÆäÀÌÁö - Fillet of a fenny snake, In the cauldron boil and bake : Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and owlet's wing, For a charm of powerful trouble ; Like a hell-broth boil and bubble. All. Double, double, toil and trouble ; Fire burn, and cauldron bubble. 3 Witch. Scale of dragon, tooth of wolf; Witches...
345 ÆäÀÌÁö - I did hear him groan; Ay, and that tongue of his that bade the Romans Mark him and write his speeches in their books, Alas!
78 ÆäÀÌÁö - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
299 ÆäÀÌÁö - That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
320 ÆäÀÌÁö - Even to the teeth and forehead of our faults To give in evidence. What then? what rests? Try what repentance can: what can it not? Yet what can it, when one can not repent? O wretched state! O bosom black as death! O limed soul, that struggling to be free Art more engaged! Help, angels! make assay; Bow, stubborn knees; and heart with strings of steel Be soft as sinews of the new-born babe. All may be well.
251 ÆäÀÌÁö - Happy the man, and happy he alone, He, who can call to-day his own : He who, secure within, can say, To-morrow do thy worst, for I have lived today.
400 ÆäÀÌÁö - The fig-tree, not that kind for fruit renown'd, But such as, at this day, to Indians known; In Malabar or Decan spreads her arms, Branching so broad and long, that in the ground The bended twigs take root, and daughters grow About the mother tree, a pillar'd shade, High overarch'd, and echoing walks between...
201 ÆäÀÌÁö - Yet, fooled with hope, men favour the deceit; Trust on, and think to-morrow will repay: To-morrow's falser than the former day; Lies worse, and, while it says, we shall be blest With some new joys, cuts off what we possest.
365 ÆäÀÌÁö - Yet soon he heal'd ; for spirits that live throughout Vital In every part, not as frail man In entrails, heart or head, liver or reins, Cannot but by annihilating die ; Nor in their liquid texture mortal wound Receive, no more than can the fluid air...

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Blackwell Publishing Ltd Oxford, UK OLI Orbis Litterarum 0105-7510 ...
2 Gildon, The Complete Art of Poetry, Durham, op. cit., p. 67. 1 Dennis, Reflections upon a Late Rhapsody, call'd An Essay upon Criticism, Durham, ...
www.blackwell-synergy.com/ doi/ xml/ 10.1111/ j.1600-0730.1944.tb00407.x

was nothing left, but to compare the several Editions, and give the
ace to The Complete Art of Poetry (1718), Gildon argued that a major. reason criticism was so ill-received is that it was often incomprehen- ...
www.journals.uchicago.edu/ cgi-bin/ resolve?MP102100513PDF

JSTOR: Musical Humanism, the Doctrine of Rhythmus, and the Saint ...
The 19 Saint Evremond, 'Sur les operas', in The 20 Charles Gildon, The Complete Art of Poetry Letters of Saint Evremond, ed. byjohn Hayward, in Six Parts, ...
links.jstor.org/ sici?sici=0075-4390(1964)27%3C251%3AMHTDOR%3E2.0.CO%3B2-9

Benedict: Making the Modern Reader - Chapter Two: READING AND ...
In 1718, the professional editor Charles Gildon (1665-1724) issued The Complete Art of Poetry, a two-volume combination of rule book and commonplace ...
press.princeton.edu/ books/ benedict/ chapter_2.html

John F. O'Brien - The Character of Credit: Defoe's "Lady Credit ...
34 Gildon's 1718 treatise The Complete Art of Poetry argues that the poetic text should be " one and simple, to avoid Confusion; it must be true, ...
muse.jhu.edu/ journals/ elh/ v063/ 63.3obrien.html

The Development of Criticism of Shakespeare¡¯s Comedies
Gildon expanded this view in his book The Complete Art of Poetry (1718), in. which the final chapter offers ¡®Shakespeariana: or Select Moral Reflections, ...
www.blackwellpublishing.com/ content/ BPL_Images/ Content_store/ Sample_chapter/ 9780631220121/ 001.pdf

NICHOLAS ROWE¡¯S WRITING OF WOMAN AS FEMINIST HERO
Charles Gildon¡¯s The Complete Art of Poetry (1718). Rowe knew Gildon,. a rather infamous theatre critic of the day. Perhaps they had spent ...
etd.lsu.edu/ docs/ available/ etd-0613102-124530/ unrestricted/ Sennett_Jr_dis.pdf

A History of English Romanticism in the Eighteenth Century by ...
A History of English Romanticism in the Eighteenth Century by Beers, Henry A. (Henry Augustin), 1847-1926
www.scribd.com/ doc/ 2352769/ A-History-of-English-Romanticism-in-the-Eighteenth-Century-by-Beers-Henry-A-Henry-Augusti...

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