A Midsummer-night's Dream, 8권Methuen, 1905 - 181페이지 |
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xxxiv 페이지
... rhyme , even when this is not necessary for lyrical expres- sion . The characters , too , with the notable exception of Bottom , are more or less sketches , and are far indeed from being living exponents of Shakespeare's knowledge of ...
... rhyme , even when this is not necessary for lyrical expres- sion . The characters , too , with the notable exception of Bottom , are more or less sketches , and are far indeed from being living exponents of Shakespeare's knowledge of ...
xxxv 페이지
... rhyme ; the grace and whimsicality of the fairy - folk ; the rich warmth of colouring that pervades the poetic diction ; the abund- ance of description , rather than of plot , action , and character- development , all mark the young ...
... rhyme ; the grace and whimsicality of the fairy - folk ; the rich warmth of colouring that pervades the poetic diction ; the abund- ance of description , rather than of plot , action , and character- development , all mark the young ...
li 페이지
... rhymed verses which speak the eternal language of love by the mouths of the Athenian ladies and their lovers . In short , they are the very counter- part of the former group ; and it is this that we wish to establish an intentional ...
... rhymed verses which speak the eternal language of love by the mouths of the Athenian ladies and their lovers . In short , they are the very counter- part of the former group ; and it is this that we wish to establish an intentional ...
liii 페이지
... rhymed verse unobservable . . . . We have occasionally fancied that , where the objectively poetical element prevails , the dialogue is mostly written in rhyme ; where the dramatic , in the ordinary blank verse of INTRODUCTION liii.
... rhymed verse unobservable . . . . We have occasionally fancied that , where the objectively poetical element prevails , the dialogue is mostly written in rhyme ; where the dramatic , in the ordinary blank verse of INTRODUCTION liii.
liv 페이지
... rhymed verse , but not indifferently . The relations of the subordin- ate group are generally , though not invariably , conveyed through the imaginative rhymed lines , while the fairies- the dramatic personages - rarely quit the ...
... rhymed verse , but not indifferently . The relations of the subordin- ate group are generally , though not invariably , conveyed through the imaginative rhymed lines , while the fairies- the dramatic personages - rarely quit the ...
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Athenian Athens Bottom called Capell Collier colour Comedy Cotgrave Craig refers Cymbeline Demetrius doth Dyce editors Egeus emendation Enter Quince Exeunt Exit eyes fair fairy flower Folio Furness give Golding's Halliwell Hamlet Hanmer hast hath hear heart Helena Henry Hermia Hippolyta hounds Hudson Johnson Julius Cæsar Keightley King Lear lion lord loue Love's Labour's Lost lovers Lysander Malone meaning Merry Wives Midsummer-Night's Dream moon night Oberon omitted Qq passage Philostrate play poet Pope probably prologue Puck Pyramus Pyramus and Thisbe Queen Quin quotes Re-enter reading remarks rhyme Robin Goodfellow Romeo and Juliet Rowe says Scene seems sense Shake Shakespeare sleep Snout Snug speak speare's Spenser stage-direction Staunton Steevens sweet Tale Tempest thee Theseus Thisby thou tion Tita Titania verse Walker conj wall Warburton winter wood woodbine word Wright دو وو
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7 페이지 - But earthlier happy is the rose distill'd Than that which, withering on the virgin thorn, Grows, lives, and dies in single blessedness.
125 페이지 - Methought I was, and methought I had — but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was.
119 페이지 - My hounds are bred out of the Spartan kind, So flew'd, so sanded; and their heads are hung With ears that sweep away the morning dew; Crook-knee'd, and dew-lapp'd like Thessalian bulls; Slow in pursuit, but match'd in mouth like bells, Each under each.
29 페이지 - Swifter than the moon's sphere ; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be : In their gold coats spots you see ; Those be rubies, fairy favours, In those freckles live their savours...
154 페이지 - Now the wasted brands do glow, Whilst the screech-owl, screeching loud, Puts the wretch, that lies in woe, In remembrance of a shroud. Now it is the time of night, That the graves, all gaping wide, Every one lets forth his sprite, In the church-way paths to glide.
57 페이지 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
xxiv 페이지 - The thrice three muses mourning for the death Of learning, late deceased in beggary.
47 페이지 - Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And loos'd his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the watery moon, And the imperial votaress passed on, In maiden meditation, fancy-free.
43 페이지 - The seasons alter : hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems' thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set.
46 페이지 - That very time I saw (but thou could'st not), Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And...