Metacreation: Art and Artificial Life

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MIT Press, 2004 - 281페이지
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Artificial life, or a-life, is an interdisciplinary science focused on artificial systems that mimic the properties of living systems. In the 1990s, new media artists began appropriating and adapting the techniques of a-life science to create a-life art; Mitchell Whitelaw's Metacreationis the first detailed critical account of this new field of creative practice.

A-life art responds to the increasing technologization of living matter by creating works that seem to mutate, evolve, and respond with a life of their own. Pursuing a-life's promise of emergence, these artists produce not only artworks, but generative and creative processes: here creation becomes metacreation.

Whitelaw presents a-life art practice through four of its characteristic techniques and tendencies. "Breeders" use artificial evolution to generate images and forms, in the process altering the artist's creative agency. "Cybernatures" form complex, interactive systems, drawing the audience into artificial ecosystems. Other artists work in "Hardware," adapting Rodney Brooks's "bottom-up" robotics to create embodied autonomous agencies. The "Abstract Machines" of a-life art de-emphasize the biological analogy, using techniques such as cellular automata to investigate pattern, form and morphogenesis.

In the book's concluding chapters, Whitelaw surveys the theoretical discourses around a-life art, before finally examining emergence, a concept central to a-life, and key, it is argued, to a-life art.
 

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LibraryThing Review

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When a computer generates an image, is it art? Can the image be random pixels, or must there be human guidance of what the computer generates? In Metacreation, Mitchell Whitelaw looks at the history ... 전체 리뷰 읽기

목차

ACKNOWLEDGMENTS ix
39
INTRODUCTION t BREEDERS 24
41
CYBERNATURES
62
HARDWARE
102
ABSTRACT MACHINES 146
169
THEORIZING ALIFE ART AND CULTURE
181
EMERGENCE
206
ONLINE RESOURCES
239
NOTES
243
INDEX
269
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저자 정보 (2004)

Mitchell Whitelaw is Lecturer in New Media at the School of Creative Communication, University of Canberra.

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