The Works of Shakespeare ...Bobbs-Merrill Company, 1907 |
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xii ÆäÀÌÁö
... fairies in II . ii . 190 ; swear it in v . i . 26 ; heavy in v . i . 79 ; and the arrangement in two lines of the last three lines of the play , as the latter are printed in the Folio . These lines are , distinctly , " comic trimeters ...
... fairies in II . ii . 190 ; swear it in v . i . 26 ; heavy in v . i . 79 ; and the arrangement in two lines of the last three lines of the play , as the latter are printed in the Folio . These lines are , distinctly , " comic trimeters ...
xxxvii ÆäÀÌÁö
... fairy atmosphere ; and worked out his dénouements , after the classical fashion , by means of divine agencies . The motive of cross - purposes , confusion and mystification pervades all the early comedies of Shakespeare . But while in ...
... fairy atmosphere ; and worked out his dénouements , after the classical fashion , by means of divine agencies . The motive of cross - purposes , confusion and mystification pervades all the early comedies of Shakespeare . But while in ...
xxxviii ÆäÀÌÁö
... fairies , witches and enchanted objects . " From Lyly , too , " says Courthope , " Shakespeare took the idea of the under- plot , in which some well - marked character , not absolutely necessary to the evolution of the main plot , is ...
... fairies , witches and enchanted objects . " From Lyly , too , " says Courthope , " Shakespeare took the idea of the under- plot , in which some well - marked character , not absolutely necessary to the evolution of the main plot , is ...
xl ÆäÀÌÁö
... . ii . 65 ) ; the reference to English fairy lore ( II . ii . 191 sqq . ) ; purely English names of servants ( III . i . 31 ) ; the English stocks ( III . i . 60 ) ; the fat kitchen - wench ( III . ii . 95 ) xl INTRODUCTION.
... . ii . 65 ) ; the reference to English fairy lore ( II . ii . 191 sqq . ) ; purely English names of servants ( III . i . 31 ) ; the English stocks ( III . i . 60 ) ; the fat kitchen - wench ( III . ii . 95 ) xl INTRODUCTION.
43 ÆäÀÌÁö
... fairy land : O , spite of spites ! We talk with fairies , goblins , elves , and sprites . 184. drives ] draws Singer , ed . 2 ( Collier ) . 186. offer'd ] Capell ; free'd Ff ; favour'd Rowe ( ed . 2 ) ; proffer'd Singer conj .; forced ...
... fairy land : O , spite of spites ! We talk with fairies , goblins , elves , and sprites . 184. drives ] draws Singer , ed . 2 ( Collier ) . 186. offer'd ] Capell ; free'd Ff ; favour'd Rowe ( ed . 2 ) ; proffer'd Singer conj .; forced ...
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Antipholus of Ephesus Antipholus of Syracuse brother Capell conj chain cloake Collier comedies Compare line Craig didst dine dinner door doth DROMIO of Ephesus Dromio of Syracuse Duke Dyce Editor Enter ANTIPHOLUS Epidamnum Erot Erotium Errors Exeunt Exit fairy fetch Folio fool Gentlemen of Verona gold hair Hanmer hast hath Henry Henry IV Henry VI husband Keightley Love's Labour's Lost Luciana Malone master meaning Menaecmi Menechmus Merchant of Venice Merry Wives Mess Messenio Midsummer-Night's Dream mistress never Othello passage Peniculus Plautus play Pope pray quibble reading refers Richard III Romeo and Juliet rope's end Rowe says SCENE sense Shakespeare ship speak stale Steevens quotes Syracusian tell thee Theobald thou art Timon of Athens Titus Andronicus Twelfth Night villain Walker conj wife Wives of Windsor word
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xiv ÆäÀÌÁö - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
93 ÆäÀÌÁö - He understood the speech of birds As well as they themselves do words ; Could tell what subtlest parrots mean, That speak and think contrary clean ; What member 'tis of whom they talk When they cry ' Rope,' and
xiii ÆäÀÌÁö - The author is at home in his subject, and presents his views in an almost singularly clear and satisfactory manner. . . . The volume is a valuable contribution to one of the most difficult, and at the same time one of the most important subjects of investigation at the present day.
xxxii ÆäÀÌÁö - THE myriad-minded man, our, and all men's, Shakspeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments.
86 ÆäÀÌÁö - I loved her most, and thought to set my rest On her kind nursery.