Literature and ArtFowlers and Wells, 1852 - 183페이지 |
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54 페이지
... harpsichord , and , bringing them rapidly together , exclaimed • The devil take the tempest . ' ' That's it , that's it , ' cried the harlequin , springing upon his neck and nearly stifling him . Haydn added , that when he crossed the ...
... harpsichord , and , bringing them rapidly together , exclaimed • The devil take the tempest . ' ' That's it , that's it , ' cried the harlequin , springing upon his neck and nearly stifling him . Haydn added , that when he crossed the ...
58 페이지
... harpsichord , in his mask . Scarlattı immediately affirmed it could be none but the famous Saxon or the devil . Scarlatti , pursuing the acquaintance , tried Handel's powers in every way . " When they came to the organ , not a doubt ...
... harpsichord , in his mask . Scarlattı immediately affirmed it could be none but the famous Saxon or the devil . Scarlatti , pursuing the acquaintance , tried Handel's powers in every way . " When they came to the organ , not a doubt ...
61 페이지
... harpsichord at the Hamburg opera house , and again his guardian genius inter- fered in a manner equally picturesque and peculiar . " The elder candidate was not unfit for the office , and insisted on the right of succession . Handel ...
... harpsichord at the Hamburg opera house , and again his guardian genius inter- fered in a manner equally picturesque and peculiar . " The elder candidate was not unfit for the office , and insisted on the right of succession . Handel ...
82 페이지
... harpsichord player was to be per- ceived . Melody , harmony , motion , all was different ; that is , all was adapted to the nature of the instrument and its destination . When I heard Will Friedemann on the harpsichord , all was ...
... harpsichord player was to be per- ceived . Melody , harmony , motion , all was different ; that is , all was adapted to the nature of the instrument and its destination . When I heard Will Friedemann on the harpsichord , all was ...
85 페이지
... harpsichord . If he was in a cheerful mood , and knew that the composer of the piece , if present , would not take it amiss , he used to make extempore out of the figured bass a new trio , or of three single parts a quartette . These ...
... harpsichord . If he was in a cheerful mood , and knew that the composer of the piece , if present , would not take it amiss , he used to make extempore out of the figured bass a new trio , or of three single parts a quartette . These ...
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admirable Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earnest earth expression faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël Margaret Fuller means melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford Swedenborgianism sweet sympathy taste tender thee things thou thought tion tone true truth verse whole wish woman words Wordsworth write
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71 페이지 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
70 페이지 - Higher still and higher From the earth thou springest Like a cloud of fire ; The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden lightning « Of the sunken sun, O'er which clouds are bright'ning, Thou dost float and run ; Like an unbodied joy whose race is just begun.
72 페이지 - Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aerial hue Among the flowers and grass, which screen it from the view.
37 페이지 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
88 페이지 - And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel how beautiful they are!
40 페이지 - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace— all and each Would draw from her alike the approving speech, Or blush, at least.
87 페이지 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
20 페이지 - Angel's age. God's breath in man returning to his birth, The soul in paraphrase, heart in pilgrimage, The Christian plummet sounding heaven and earth ; Engine against th...
75 페이지 - The wind, the tempest roaring high, The tumult of a tropic sky, Might well be dangerous food For him, a youth to whom was given So much of earth, so much of heaven, And such impetuous blood.
74 페이지 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.