An Essay on English Poetry; with notices of the British poets. [Edited by Peter Cunningham.]John Murray, 1848 - 436ÆäÀÌÁö |
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... poetry in its enlarged sense than is to be found in any other body of criticism in the English language . No work indeed of any importance on our literary history has been written since ... POETRY - PART I. 22 SCOTTISH POETRY. ADVERTISEMENT .
... poetry in its enlarged sense than is to be found in any other body of criticism in the English language . No work indeed of any importance on our literary history has been written since ... POETRY - PART I. 22 SCOTTISH POETRY. ADVERTISEMENT .
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... poetry ; and our language was ultimately indebted to them for a wealth and compass of expression which it probably would not have otherwise possessed . The Anglo - Saxon , however , was not lost , though it was super- seded by French ...
... poetry ; and our language was ultimately indebted to them for a wealth and compass of expression which it probably would not have otherwise possessed . The Anglo - Saxon , however , was not lost , though it was super- seded by French ...
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... poetry of antiquity . But the growth of what may properly be called romantic poetry was not instantaneous after the Conquest ; and it was not till " English Richard ploughed the deep " that the crusaders seem to have found a place among ...
... poetry of antiquity . But the growth of what may properly be called romantic poetry was not instantaneous after the Conquest ; and it was not till " English Richard ploughed the deep " that the crusaders seem to have found a place among ...
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... poetry , when verse is employed not to harmonise and beautify expression , but merely to assist the memory . Were we to judge of Robert of Gloucester not as a chronicler but as a candidate for the honours of fancy , we might be tempted ...
... poetry , when verse is employed not to harmonise and beautify expression , but merely to assist the memory . Were we to judge of Robert of Gloucester not as a chronicler but as a candidate for the honours of fancy , we might be tempted ...
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... Misc . Prose Works ( vol . vi . p . 201 ) , where he contends that it was derived from Welsh traditions , though told by a Saxon poet . ] appear to be original ; and ' The Battle of 24 [ PART I. ESSAY ON ENGLISH POETRY .
... Misc . Prose Works ( vol . vi . p . 201 ) , where he contends that it was derived from Welsh traditions , though told by a Saxon poet . ] appear to be original ; and ' The Battle of 24 [ PART I. ESSAY ON ENGLISH POETRY .
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admiration ¨¡neid afterwards amidst ancient appear ballad beauty Ben Jonson Born century certainly character Chaucer church circumstances comedy court Cowper Creusa death Died drama Dryden Earl eclogues Edinburgh edition Elizabeth England English English poetry entitled Euphuism exhibits expression fancy father fiction Fletcher French gave genius Henry honour humour imagination imitation interest Jonson King Lady language Layamon letters literary lived London Lord manners married Milton mind Mirror for Magistrates moral Muse native nature Oxford passage passion pastoral period pieces poem poet poet's poetical poetry Pope probably prose published Queen racter reign returned rhyme Robert of Gloucester romance satire Saxon says scene Scotland Scottish seems Shakspeare Shakspeare's Sir Philip Sydney Sir Walter Scott Spenser spirit story style supposed Surrey taste Thomas Thomas Warton thought tion tragedy translation verse Warton William writer written wrote Xuthus
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109 ÆäÀÌÁö - He scarce had ceased, when the superior fiend Was moving toward the shore : his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
64 ÆäÀÌÁö - See what a grace was seated on this brow ; Hyperion's curls, the front of Jove himself, An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill ; A combination and a form indeed, Where every god did seem to set his seal To give the world assurance of a man : This was your husband.
94 ÆäÀÌÁö - GATHER ye rosebuds while ye may, Old Time is still a-flying; And this same flower that smiles to-day, To-morrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting, The sooner will his race be run, And nearer he's to setting. That age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times still succeed the former.
112 ÆäÀÌÁö - But clear and artless pouring through the plain Health to the sick, and solace to the swain. Whose causeway parts the vale with shady rows ? Whose seats the weary traveller repose ? Who taught that heaven-directed spire to rise ? " The Man of Ross," each lisping babe replies. Behold the market-place with poor o'erspread ! The Man of Ross...
110 ÆäÀÌÁö - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
381 ÆäÀÌÁö - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
113 ÆäÀÌÁö - All things are hush'd as Nature's self lay dead, The mountains seem to nod their drowsy head : The little birds in dreams their songs repeat, And sleeping flowers beneath the night dews sweat. Even lust and envy sleep...
110 ÆäÀÌÁö - Idalia's velvet-green has something of cant. An epithet or metaphor drawn from Nature ennobles Art; an epithet or metaphor drawn from Art degrades Nature.
316 ÆäÀÌÁö - His best companions, innocence and health; And his best riches, ignorance of wealth. But times are alter'd; trade's unfeeling train Usurp the land and dispossess the swain; Along the lawn, where scatter'd hamlets rose, Unwieldy wealth and cumbrous pomp repose; And every want to luxury allied, And every pang that folly pays to pride.
112 ÆäÀÌÁö - What modes of sight betwixt each wide extreme, The mole's dim curtain and the lynx's beam ! Of smell, the headlong lioness between And hound sagacious on the tainted green ! Of hearing, from the life that fills' the flood To that which warbles through the vernal wood ! The spider's touch, how exquisitely fine ! Feels at each thread, and lives along the line...