WASHINGTON ALLSTON. [Born in 1779, died in 1843. Known principally as a painter. His longest poem is named The Sylphs of the Seasons, published in 1813].

ROSALIE.
“Oh pour upon my soul again

That sad, unearthly strain,
That seems from other worlds to plain;
Thus falling, falling from afar,
As if some melancholy star
Had mingled with her light her sighs,

And dropped them from the skies.

“No-never came from aught below

This melody of wo,
That makes my heart to overflow
As from a thousand gushing springs
Unknown before ; that with it brings
This nameless light--if light it be-

That veils the world I see.

For all I see around me wears

The hue of other spheres ;
And something blent of smiles and tears
Comes from the very air I breathe.
Oh nothing, sure, the stars beneath,
Can mould a sadness like to this,

So like angelic bliss.”
So, at that dreamy hour of day

When the last lingering ray
Stops on the highest cloud to play-
So thought the gentle Rosalie,
As on her maiden reverie
First fell the strain of him who stole

In music to her soul.

JOHN PIERPONT. [Born in 1785, died towards 1865.1 Served as a Unitarian minister from 1819 to 1856. His principal poem is The Airs of Palestine, published in 1816].

FOR THE CHARLESTOWN CENTENNIAL

CELEBRATION.
Two hundred years ! two hundred years !

How much of human power and pride,
What glorious hopes, what gloomy fears,

Have sunk beneath their noiseless tide!

The red man at his horrid rite,

Seen by the stars at night's cold noon;
His bark canoe, its track of light

Left on the wave beneath the moon;
His dance, his yell, his council-fire,

The altar where his victim lay,
His death-song and his funeral pyre,

That still, strong tide hath borne away.
And that pale pilgrim band is gone

That on this shore with trembling trod,
Ready to faint, yet bearing on

The ark of freedom and of God.
And war—that since o'er ocean came,

And thundered loud from yonder hill,
And wrapped its foot in sheets of flame,

To blast that ark-its storm is still.
Chief, sachem, sage, bards, heroes, seers,

That live in story and in song,
Time, for the last two hundred years,

Has raised, and shown, and swept along.

1 In this and some other cases, where I say “towards” such a year as the date of death, I have reason to infer that the authors were alive in 1863, but have died since then, though the precise year of death is uncertain to me. I name 1865, as an approximation, in each instance.

'Tis like a dream when one awakes,

This vision of the scenes of old; 'Tis like the moon when morning breaks,

'Tis like a tale round watchfires told. Then what are we ? then what are we?

Yes, when two hundred years have rolled O'er our green graves, our names shall be

A morning dream, a tale that's told. God of our fathers, in whose sight

The thousand years that sweep away Man and the traces of his might

Are but the break and close of dayGrant us that love of truth sublime,

That love of goodness and of thee, That makes thy children in all time

To share thine own eternity.

THE EXILE AT REST.

His falchion flashed along the Nile;

His hosts he led through Alpine snows; O’er Moscow's towers that shook the while,

His eagle flag unrolled-and froze. Here sleeps he now alone : not one

Of all the kings whose crowns he gave, Nor sire nor brother, wife nor son,

Hath ever seen or sought his grave. Here sleeps he now alone; the star

That led him on from crown to crown Hath sunk; the nations from afar

Gazed as it faded and went down.

He sleeps alone: the mountain cloud

That night hangs round him, and the breath Of morning scatters, is the shroud

That wraps his mortal form in death.

High is his couch; the ocean flood

Far, far below by storms is curled,
As round him heaved, while high he stood,

A storiny and inconstant world.

Hark! Comes there from the Pyramids,

And from Siberia's wastes of snow,
And Europe's fields, a voice that bids

The world he awed to mourn him? No.

The only, the perpetual dirge

That's heard there is the seabird's cry,
The mournful murmur of the surge,

The cloud's deep voice, the wind's low sigh.

NATHANIEL LANGDON FROTHINGHAM. [Born in 1793. Was minister of a Congregational Church from 1815 to 1850).

THE FOUR HALCYON POINTS OF THE YEAR.

Four points divide the skies,
Traced by the Augur's staff in days of old :
"The spongy South," the hard North gleaming cold,

And where days set and rise.
Four seasons span

the

year : The flowering Spring, the Summer's ripening glow, Autumn with sheaves, and Winter in its snow;

Each brings its separate cheer.

Four halcyon periods part,
With gentle touch, each season into twain,
Spreading o'er all in turn their gentle reign.

Oh mark them well, my heart !

ļ

Janus! the first is thine,
After the freezing solstice locks the ground;
When the keen blasts, that moan or rave around,

Show not one softening sign.

It interposes then. The air relents; the ices thaw to streams; A mimic Spring shines down with hazy beams,

Ere Winter roars again.

Look thrice four weeks from this.
The vernal days are rough in our stern clime,
Yet fickle April wins a mellow time,

Which chilly May shall miss.

Another term is run. She comes again-the peaceful one—though less Or needed or perceived in summer dress

Half lost in the bright sun;

Yet then a place she finds,
And all beneath the sultry calm lies hush ;-
Till o'er the chafed and darkening ocean rush

The squally August winds.

Behold her yet once more,
And oh how beautiful! Late in the wane
Of the dishevelled year; when hill and plain

Have yielded all their store;

When the leaves thin and pale-
And they not many—tremble on the bough;
Or, noisy in their crisp decay, e'en now

Roll to the sharpening gale ;

In smoky lustre clad,
Its warm breath flowing in a parting hymn,
The Indian Summer, upon Winter's rim,

Looks on us sweetly sad.

So with the Year of Life. An ordering goodness helps its youth and age, Posts quiet sentries midway every stage,

And gives it truce in strife.