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fortune. One would think he did not know that his creditor can say the worst thing imaginable of him, to wit, “ That he is unjust,' without defamation; and can seize his person, without being guilty of an assault. Yet such is the loose and abandoned turn of some men's minds, that they can live under these constant apprehensions, and still go on to increase the cause of them. Can there be a more low and servile condition, than to be ashamed or afraid to see any one man breathing? Yet he that is much in debt, is in that condition with relation to twenty different people. There are indeed circumstances wherein men of honest natures may become liable to debts, by some unadvised behaviour in any great point of their life, or mortgaging a man's honesty as a security for that of another, and the like: but these instances are so particular and circumstantiated, that they cannot come within general considerations. For one such case as one of these, there are ten, where a man, to keep up a farce of retinue and grandeur within tris own house, shall shrink at the expectation of surly demands at his doors. The debtor is the creditor's criminal, and all the officers of power and state, whom we behold make so great a figure, are no other than so many persons in authority to make good his charge against him. Human society depends upon his having the vengeance law allots him; and the debtor owes his liberty to his neighbour, as much as the urderer does his life
his prince. Our gentry are, generally speaking, in debt: and many families have put it into a kind of method of being so from generation to generation. The father mortgages when his son is very young: and the boy is to marry, as soon as he is at age, to redeen it and find portions for his sisters. This, forsooth, is no great inconvenience to him ; for he may wench, keep a public table, or feed dogs, like a worthy English gen
tleman, till he has out-run half his estate, and leave the same incumbrance upon his first-born, and so on; till one man of more vigour than ordinary goes quite through the estate, or some man of sense comes into it, and scorns to have an estate in partnership, that is to say, liable to the demand or insult of any man living. There is my friend Sir Andrew, though for many years a great and general trader, was never the defendant in a law suit, in all the perplexity of busipess, and the iniquity of mankind at present; no one had any colour for the least complaint against his dealings with him. This is certainly as uncommon, and in its proportion as laudable in a citizen, as it is in a general never to have suffered a disadvantage in fight. How different from this gentleman is Jack Truepenny, who has been an old acquaintance of Sir Andrew and myself from boys, but could never learn our caution. Jack has a whorish unresisting goodnature, which makes him incapable of having a property in any thing. His fortune, his reputation, his time, and his capacity, are at any man's service that comes first. When he was at school, he was whipped thrice a week for faults he took upon him to excuse others; since he came into the business of the world, he has been arrested twice or thrice a year for debts he has nothing to do with, but as surety for others; and I remember when a friend of his had suffered in the vice of the town, all the physic luis friend took was conveyed to him by Jack, and inscribed · A bolus or an electuary for Mr. Truepenny.' Jack had a good estate left him, which came to nothing; because he believed all who pretended to demands upon it, This easiness and credulity destroy all the other merit he has; and lie has all his life been a sacrifice to others, without ever receiving thanks, or doing one good action.
I will end this discourse with a speech which I
heard Jack make to one of his creditors (of whom he deserved gentler usage) after lying a whole night in custody at his suit.
Sir, your ingratitude for the many kindnesses I have done you, shall not make me unthankful for the good you have done me, in letting me see there is such a man as you in the world. I am obliged to you for the diffidence I shall have all the rest of my life: I shall hereafter trust no man so far as to be in his debt.'
N° 83. TUESDAY, JUNE 5, 1711.
Animum picturâ pascit inani.
VIRG. Æn. i. 464.
When the weather hinders me from taking my diversions without doors, I frequently make a little party with two or three select friends, to visit any thing curious that may be seen under covert. My principal entertainments of this nature are pictures, insomuch that when I have found the weather set in to be very bad, I have taken a whole day's journey to see a gallery that is furnished by the hands of great masters. By this means, when the heavens are filled with clouds, when the earth swims in rain, and all nature wears a louring countenance, I withdraw myself from these uncomfortable scenes into the visionary worlds of art; where I meet with shiving landscapes, gilded triumphs, beautiful faces, and all those other objects that fill the mind with gay ideas,
and disperse that gloominess which is apt to hang upon it in those dark disconsolate seasons.
I was some weeks ago in a course of these diversions; which had taken such an intire possession of my imagination, that they formed in it a short morning's dream, which I shall communicate to my reader, rather as the first sketch and outlines of a vision, than as a finished piece.
I dreamt that I was admitted into a long, spacious gallery, which had one side covered with pieces of all the famous painters who are now living, and the other with the works of the greatest masters that are dead.
On the side of the living, I saw several persons busy in drawing, colouring, and designing. On the side of the dead painters, I could not discover more than one person at work, who was exceedingly slow in his motions, and wonderfully nice in his touches.
I was resolved to examine the several artists that stood before me, and accordingly applied myself to the side of the living. The first I observed at work in this part of the gallery was Vanity, with his hair tied behind him in a ribbon, and dressed like a Frenchman. All the faces he drew were very remarkable for their smiles, and a certain smirking air which be bestowed indifferently on every age and degree of either sex. The toujours gai appeared even in his judges, bishops, and privy-councillors. In a word, all his ineu were petits maitres, and all his women coquettes. The drapery of his figures was extremely well suited to his faces, and was made up of all the glaring colours that could be mixt together; every part of the dress was in a futter, and endeavoured to distinguish itself above the rest.
On the left hand of Vanity stood a laborious workman, who I found was his humble adınirer, and copied after him. He was dressed like a German, and had a very hard name that sounded something like Stupidity.
The third artist that I looked over was Fantasque, dressed like a Venetian scaramouch. He had an excellent hand at chimera, and dealt very much in distortions and grimaces. He would sometimes affright himself with the phantoins that flowed from his pencil. In short, the most elaborate of his pieces was at best but a terrifying dream; and one could say nothing more of his finest figures, than that they were agreeable monsters.
The fourth person I examined was very remarks able for his hasty hand, which left his pictures so unfinished, that the beauty in the picture (which was designed to continue as a monument of it to posterity) faded sooner than in the person after whom it was drawn. He made so much haste to dispatch lois business, that he neither gave himself time to clean his pencils, nor mix his colours. The name of this expeditious workman was Avarice.
Not far from this artist I saw another of a quite different nature, who was dressed in the habit of a Dutchman, and known by the name of Industry. His figures were wonderfully laboured. If he drew the portraiture of a man, he did not omit a single hair in his face; if the figure of a ship, there was not a rope amoug the tackle that escaped him. He had likewise hung a great part of the wall with nightpieces, that seemed to shew themselves by the candles which were lighted up in several parts of them; and were so inflamed by the sunshine which accidentally fell upon them, that at first sight I could scarce forbear crying out fire.'
The five foregoing artists were the most considerable on this side the gallery; there were indeed se veral others whom I had not time to look into. One of them, however, I could not forbear observing, who