IMPROMPTU, IN REPLY TO A FRIEND. WHEN, from the heart where Sorrow sits, Her dusky shadow mounts too high, And o'er the changing aspect flits, And clouds the brow, or fills the eye; Heed not that gloom, which soon shall sink: My thoughts their dungeon know too well; Back to my breast the wanderers shrink, And droop within their silent cell. 1 September, 1813. SONNET, TO GENEVRA. THINE eyes' blue tenderness, thy long fair hair, And the wan lustre of thy features-caught From contemplation - where serenely wrought, Seems Sorrow's softness charm'd from its despair Have thrown such speaking sadness in thine air, That -but I know thy blessed bosom fraught With mines of unalloy'd and stainless thoughtI should have deem'd thee doom'd to earthly care. With such an aspect, by his colours blent, When from his beauty-breathing pencil born, (Except that thou hast nothing to repent) The Magdalen of Guido saw the morn Such seem'st thou but how much more excellent! With nought Remorse can claim-nor Virtue scorn. December 17, 1813. 2 SONNET, TO THE SAME. THY cheek is pale with thought, but not from woe, At once such majesty with sweetness blending, December 17, 1813. 1 [These verses are said to have dropped from the Poet's pen, to excuse a transient expression of melancholy which overclouded the general gaiety. It was impossible to observe his interesting countenance, expressive of a dejection belonging neither to his rank, his age, nor his success, without feeling an indefinable curiosity to ascertain whether it had a deeper cause than habit or constitutional temperament. It was obviously of a degree incalculably more serious than that alluded to by Prince Arthur 'I remember when I was in France Young gentlemen would be as sad as night, Only for wantonness.' But, howsoever derived, this, joined to Lord Byron's air of mingling in amusements and sports as if he contemned them, and felt that his sphere was far above the frivolous crowd which surrounded him, gave a strong effect of colouring to a FROM THE PORTUGUESE. "TU MI CHAMAS." IN moments to delight devoted, "My life!" with tenderest tone, you cry; Dear words! on which my heart had doted, If youth could neither fade nor die. To death even hours like these must roll, Ah! then repeat those accents never; Or change" my life!" into "my soul ! Which, like my love, exists for ever. ANOTHER VERSION. You call me still your life.-Oh! change the word- THE DEVIL'S DRIVE; THE Devil return'd to hell by two, And he stay'd at home till five; When he dined on some homicides done in ragoût, And a rebel or so in an Irish stew, And sausages made of a self-slain JewAnd bethought himself what next to do, "And," quoth he, "I'll take a drive. I walk'd in the morning, I'll ride to-night; In darkness my children take most delight, And I'll see how my favourites thrive. "And what shall I ride in ?" quoth Lucifer then"If I follow'd my taste, indeed, I should mount in a waggon of wounded men, But these will be furnish'd again and again, To see my manor as much as I may, And watch that no souls shall be poach'd away. "I have a state-coach at Carlton House, A chariot in Seymour Place; But they're lent to two friends, who make me amends, By driving my favourite pace: And they handle their reins with such a grace, I have something for both at the end of their race. "So now for the earth to take my chance:" And rested his hoof on a turnpike road, 2 ["Redde some Italian, and wrote two sonnets. I never wrote but one sonnet before, and that was not in earnest, and many years ago, as an exercise- and I will never write another. They are the most puling, petrifying, stupidly platonic compositions."- Byron Diary, 1813.] 3 ["I have lately written a wild, rambling, unfinished rhapsody, called The Devil's Drive,' the notion of which I took from Porson's Devil's Walk.'"- Byron Diary, 1812. “Of this strange, wild poem," says Moore, "the only copy that Lord Byron, I believe, ever wrote, he presented to Lord Holland. Though with a good deal of vigour and imagination, it is, for the most part, rather clumsily executed, wanting the point and condensation of those clever verses of Mr. Coleridge, which Lord Byron, adopting a notion long prevalent, has attributed to Professor Porson."] But first as he flew, I forgot to say, To look upon Leipsic plain; And so sweet to his eye was its sulphury glare, That he perch'd on a mountain of slain; For the field ran so red with the blood of the dead, But the softest note that soothed his ear And she look'd to heaven with that frenzied air, And the carnage begun, when resistance is done, But the Devil has reach'd our cliffs so white, If his eyes were good, he but saw by night But he made a tour, and kept a journal Of all the wondrous sights nocturnal, And he sold it in shares to the Men of the Row, The Devil first saw, as he thought, the Mail, So instead of a pistol he cock'd his tail, And seized him by the throat: "Aha!" quoth he, "what have we here? 'Tis a new barouche, and an ancient peer!' So he sat him on his box again, And bade him have no fear, But be true to his club, and stanch to his rein, "Next to seeing a lord at the council board, The Devil gat next to Westminster, [flat; And he turn'd to "the room" of the Commons; The Lord Westmoreland certainly silly, ["I cannot conceive how the Vault has got about; but so it is. It is too farouche; but truth to say, my sallies are not very playful."- Lord Byron to Mr. Moore, March 12 1814.] And he saw the tears in Lord Eldon's eyes, In spite of his prayers and his prophecies; WINDSOR POETICS. Lines composed on the occasion of his Royal Highness the Ah, what can tombs avail !-since these disgorge STANZAS FOR MUSIC. 2 cease? I SPEAK not, I trace not, I breathe not thy name, With thee by my side, than with worlds at our feet. One sigh of thy sorrow, one look of thy love, ADDRESS INTENDED TO BE RECITED AT THE CALEDONIAN MEETING. WHO hath not glow'd above the page where fame Hath fix'd high Caledon's unconquer'd name; The mountain-land which spurn'd the Roman chain, And baffled back the fiery-crested Dane, 2 ["Thou hast asked me for a song, and I enclose you an experiment, which has cost me something more than trouble, and is, therefore, less likely to be worth your taking any in your proposed setting. Now, if it be so, throw it into the fire without phrase."-Lord Byron to Mr. Moore, May 10, 1814.] Whose bright claymore and hardihood of hand The bleeding phantom of each martial form 'Tis Heaven-not man-must charm away the woe, TO SARAH COUNTESS OF JERSEY, ON THE PRINCE WHEN the vain triumph of the imperial lord, If thus, fair Jersey, our desiring gaze What can his vaulted gallery now disclose ? Long may thy yet meridian lustre shine, But turn to gaze again, and find anew And those must wait till ev'ry charm is gone, August, 1814. TO BELSHAZZAR. Crown'd and anointed from on high; Go! dash the roses from thy brow- Where thou hast tarnish'd every gem:- Oh! early in the balance weigh'd, And left thee but a mass of earth. ELEGIAC STANZAS ON THE DEATH OF For them is Sorrow's purest sigh O'er Ocean's heaving bosom sent: A tomb is theirs on every page, For them bewail, to them belong. 1 [This gallant officer fell in August, 1814, in his twentyninth year, whilst commanding, on shore, a party belonging to his ship, the Menelaus, and animating them, in storming the American camp near Baltimore. He was Lord Byron's first cousin; but they had never met since boyhood.] 2 [These verses were given by Lord Byron to Mr. Power, of the Strand, who has published them, with very beautiful music by Sir John Stevenson."I feel merry enough to send you a sad song. An event, the death of poor Dorset, (see antè, p. 384.) and the recollection of what I once felt, and ought to have felt now, but could not-set me pondering, and finally into the train of thought which you have in your hands. I wrote them with a view to your setting them, and as a present to Power, if he would accept the words, and you did not think yourself degraded, for once in a way, by marrying them to music. I don't care what Power says to secure the property of the song, so that it is not complimentary to me, nor any thing about condescending' or 'noble author' -both vile phrases,' as Polonius says."-Lord Byron to Mr. Moore.] That heavy chill has frozen o'er the fountain of our tears, And though the eye may sparkle still, 't is where the ice appears. Though wit may flash from fluent lips, and mirth distract the breast, Through midnight hours that yield no more their former hope of rest; 'Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh could I feel as I have felt.- -or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene; As springs in deserts found seem sweet, all brackish though they be, THERE be none of Beauty's daughters With a magic like thee; And like music on the waters Is thy sweet voice to me : And the midnight moon is weaving Like the swell of Summer's ocean. ON NAPOLEON'S ESCAPE FROM ELBA. ONCE fairly set out on his party of pleasure, 1 ["Do you remember the lines I sent you early last year? I don't wish (like Mr. Fitzgerald) to claim the character of Vates,' in all its translations, but were they not a little prophetic? I mean those beginning, There's not a joy the world can give,' &c., on which I pique myself as being the truest, though the most melancholy, I ever wrote."— Byron Letters, March, 1816.] 2 ["I can forgive the rogue for utterly falsifying every line of mine Ode-which I take to be the last and uttermost stretch of human magnanimity. Do you remember the story of a certain abbé, who wrote a treatise on the Swedish constitution, and proved it indissoluble and eternal? Just as he had corrected the last sheet, news came that Gustavus the Third had destroyed this immortal government. Sir,' quoth the abbe, the King of Sweden may overthrow the constitution, but not my book!!' I think of the abbé, but not with him. Making every allowance for talent and most consummate daring, there is, after all, a good deal in luck or destiny. He might have been stopped by our frigates, or wrecked in the Gulf of Lyons, which is particularly tempestuous—or—a ODE FROM THE FRENCH. We do not curse thee, Waterloo ! Though Freedom's blood thy plain bedew; As then shall shake the world with wonder II. The Chief has fallen, but not by you, When the soldier citizen Sway'd not o'er his fellow-men Where Glory smiled on Freedom's son- With that youthful chief competed? Who could boast o'er France defeated, Till lone Tyranny commanded? Till, goaded by ambition's sting, The Hero sunk into the King? Then he fell:-so perish all, Who would men by man enthrall ! III. And thou, too, of the snow-white plume! 4 France o'er hosts of hirelings bleeding, Such as he of Naples wears, thousand things. But he is certainly fortune's favourite."— Byron Letters, March, 1815.] v. 3 See Rev. chap. viii. v. 7, &c. "The first angel sounded, and there followed hail and fire mingled with blood," &c. 8. "And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea; and the third part of the sea became blood," &c. v. 10. "And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp; and it fell upon the third part of the rivers, and upon the fountains of waters." v. 11." And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter." 4["Poor dear Murat, what an end! His white plume used to be a rallying point in battle, like Henry the Fourth's. He refused a confessor and a bandage; so would neither suffer his soul nor body to be bandaged." Byron Letters.] |