ment as the Philharmonic alone can supply, to take the first stands, these festivals could never have been carried into effect as they are at present. The immense stimulus given to art throughout the country by their means, and the consequent sources of benefit and enjoyment that have been opened, we need scarcely stop to comment upon. Last, but not least, the Philharmonic may be looked upon as the only solid point d'appui for talent in England. Here it is welcomed, and appreciated, and acquires it best reward in the authority which places it at once upon its proper level, and in the applause of kindred spirits. It is the nucleus round which all that is best and highest in art aggregates. May it long retain the power, which hangs pretty much (we say it out of no disrespect to rising talent) on the lives of its present supporters! The Philharmonic, however, has its enemies,-secret enemies,-for neither are their grounds of attack sufficiently strong, nor their reasons for it sufficiently clear to admit of openness. Yet, as the rats are said to forsake a vessel at the approach of danger, the cavillings even of such frivolous critics should not be despised. Though, as we have said, at its zenith, the society ought not, for the sake of the art, to lose one iota of the high character it now holds. Its performers and performances should all be first rate; but we could point out both instrumental solos and songs, besides a concerted piece or two, that have been admitted with too much facility during this season, while perhaps the taste of their more than half professional audience might be better cultivated, and their knowledge enlarged by a more extended research for music that is less known, especially amongst that for stringed instruments. We would also suggest one alteration in the arrangement of the bill,-that the most striking or attractive symphony of the evening should begin the second act instead of the first. The approach to languor that is perceptible in the audience when this piece is over, point out clearly that its place should be later in the evening. In conclusion, we shall say to the directors of the Philharmonic, that in their hands still rests the real musical reputation of the country, and, for the sake of that reputation, they must neither lose their high ground by good-natured concessions nor satiate the public appetite by too constant an adherence to old favourites. The medium is difficult, but it must be found and followed. "Hail, holy Sound! thy plaintive tone Thou breath'st into the languid ears Of the bereaved,-a welcome guest; Whisp'ring' the lost one shall be blest.' We do not offer this as a literal translation, but it is a faithful transfer of the poet's ideas from his own language to ours; and we think our readers will agree with us, that it is as suitable a canvass for musical painting as Dryden's Alexander's Feast, or Milton's Allegro. TO THE MONKEY THAT DEScended in a PARACHUTE*. "Teach me like thee, in various nature wise, INTRODUCTORY SONNET. "Milton! thou should'st be living at this hour." Horrid descent, through space; and of the flower Of spirits doom'd and stars that downward shoot,- Not of the fall of Man, but of a brute : Oh! then might I relate-the Monkey's Fall! Oh! for a line as long as his renown, Or equal to the height at which he sat, Few minutes then had pass'd, since I had seen And seem'd in native dialect to say I, and two human things, ascend to-day!" Glances to all the fair, and grins to men, "'Tis no mere monkey that you here survey," "The lion of the gardens you may see Who listens to the roaring of the others? They may for once confess themselves defeated. I am the hero of Victoria's fête, Whate'er my fate, on coming down, may be." And so he was! Oh, parish of St. James, Oh, Court, exulting in your bright attire, How he eclipsed your gaudiest dukes and dames! *On the occasion of the fête given at the Surrey Zoological Gardens in honour of the birth-day of the Princess Victoria. 66 Pronounce a sentence," bid " prepare," Yet no wish 'scapes him that the bears had got 'em! And kick, and curse his binders! Nor promises to read Dread lessons to the tyrannizing factions; And never says a word about " proceedings." His doctrine still-though doom'd to such a distance From all his hopes of future fun and feedings Passive obedience and non-resistance ! Spare him, oh! spare the creature yet, good Cross; If the false parachute should come down closed! What evil has he done That he should be the one! Why have him " taken up ?" You never can Before he makes this dread ascent for man, You of his own assent should feel secure. "You bought him, he is yours?" Why, that is true, No more, break off! Mercy, you plead too late,— Up, up it goeth at a glorious rate, And with it draws, depending from a line Oh! he hath surely drain'd life's latest cup ! Even when Landseer took off all the tribe! The monkey swings with them where'er they go,— How can we treat our " poor relation" so! "Sweet little cherub" sitting up aloft, With Green above you and with green below, What are his thoughts?-that he shall go, perhaps, He now is leaving. Ha! he returns,-for see, that spider's thread Is severing from the car;-Green now leaves go; The height appears at least a mile or so! Down, down the Monkey comes, and o'er his head The parachute-unspread! Is he alive, or no? His rocket-flight must surely end in gloom. In the blue sky; No wonder the "white feather" he is showing- Now nearer see him, looking like a doll, Not to be class'd, I fear, with breathing things. Pinion'd,-ah! would instead that he had wings! What was thy fall to this, oh son of Sol? But see, look quick, how moves the parachute! Lo! 'tis expanded o'er the little brute! How exquisite the gentleness, the grace, The novel beauty of that calm descending! Peering about in little fright or pain, Nearer the earth!-safe, almost safe is he, Much musing on his vehicle's easy action,— Now is it mourning, Mr. Cross, or mirth? He's here,-alive-unhurt-most gently hurl'd,— All who would moralize life's ups and downs, ተ ቀ OUR tents were pitched in the vestibule of the house of Croesus, on the natural terrace which was once the imperial site of Sardis. A hump-backed Dutch artist, who had been in the service of Lady Hester Stanhope as a draughtsman, and who had lingered about between Jerusalem and the Nile till he was as much at home in the East as a Hajji or a crocodile; an Englishman qualifying himself for "The Travellers';" a Smyrniote merchant in figs and opium; Job Smith (my inseparable shadow), and myself, composed a party at this time (August, 1834), rambling about Asia Minor in turbans and Turkish saddles, and pitching our tents, and cooking our pilau, wherever it pleased Heaven and the inexorable Suridji, who was our guide and caterer. I thought at the time that I would compound to abandon all the romance of that renowned spot, for a clean shirt and something softer than a marble frustum for a pillow; but in the distance of memory, and myself at this present in a deep morocco chair in the Library at "The Travellers'," that same scene in the ruins of Sardis does not seem destitute of interest. It was about four in the lazy summer afternoon. We had arrived at Sardis at mid-day, and after a quarrel whether we should eat immediately or wait till the fashionable hour of three, the wooden dish containing two chickens buried in a tumulus of rice, shaped (in compliment to the spirit of the spot) like the Mound of Alyattis in the plain below, was placed in the centre of a marble pedestal; and with Job and the Dutchman seated on the prostrate column dislodged for our benefit, and the remainder of the party squatted in the high grass, which grew in the royal palace as if it had no memory of the foot-prints of the Kings of Lydia, we spooned away at the saturated rice, and pulled the smothered chickens to pieces with an independence of knives and forks that was worthy of the "certain poor man in Attica." Old Solon himself, who stood, we will suppose, while reproving the ostentatious Monarch, at the base of that very column now ridden astride by an inhabitant of a country of which he never dreamed (at least it strikes me there is no mention of the Yankees in his philosophy),-the old greybeard of the Academy himself, I say, would have been edified at the primitive simplicity of our repast. The salt (he would have asked if it was Attic) was contained in a ragged play-bill, which the Dutchman had purloined as a specimen of modern Greek, from the side of a house in Corfu; the mustard was in a cracked powder-horn, which had been slung at the breast of old Whalley the regicide, in the American revolution, and which Job had brought from the Green Mountains, and held, till its present base uses, in religious veneration; the ham (I should have mentioned that respectable entremet before) was half enveloped in a copy of the " Morn |