A Rhetorical Grammar: In which Improprieties in Reading and Speaking are Detected, and the True Sources of Elegant Pronunciation are Pointed Out : with a Complete Analysis of the Voice, Showing Its Specific Modifications, and how They May be Applied to Different Species of Sentences and the Several Figures of Rhetoric : to which are Added Outlines of Composition, Or Plain Rules for Writing Orations and Speaking Them in PublicCummings and Hilliard, 1822 - 383ÆäÀÌÁö |
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23 ÆäÀÌÁö
... says " are sounded as if written cyan , gyet , begyin , & c . because the tongue can scarce pass from these guttural ... say though these words may be pronounced without the intervention of e or y , yet with it they are not only more ...
... says " are sounded as if written cyan , gyet , begyin , & c . because the tongue can scarce pass from these guttural ... say though these words may be pronounced without the intervention of e or y , yet with it they are not only more ...
24 ÆäÀÌÁö
... says , that " ky - ind for kind is a monster of pronunciation , heard only on our stage . " Nare's Orthopy , p . 28. See Critical Pronouncing Dictionary , under the word GUILT . The liquid sound of T , D , S , and soft C , after the ...
... says , that " ky - ind for kind is a monster of pronunciation , heard only on our stage . " Nare's Orthopy , p . 28. See Critical Pronouncing Dictionary , under the word GUILT . The liquid sound of T , D , S , and soft C , after the ...
27 ÆäÀÌÁö
... say , I took down my hat , but before I had put it on my head , Mr. Johnson came into the room , and let the tongue remain on the palate on the t and d , at the end of the words hat and head , they want much of that ar- ticulation they ...
... say , I took down my hat , but before I had put it on my head , Mr. Johnson came into the room , and let the tongue remain on the palate on the t and d , at the end of the words hat and head , they want much of that ar- ticulation they ...
38 ÆäÀÌÁö
... say , my pen is as bad as my paper , we should necessarily pronounce my like me , as , in this sentence , pen and paper are the em- phatical words ; but if I were to say , my pen is worse than yours , here my is in antithesis with yours ...
... say , my pen is as bad as my paper , we should necessarily pronounce my like me , as , in this sentence , pen and paper are the em- phatical words ; but if I were to say , my pen is worse than yours , here my is in antithesis with yours ...
40 ÆäÀÌÁö
... says , " Your men of business usually have recourse to such instances as are too mean and familiar . " Spect . No. 421. - And Cleopatra , in All for Love , speaking of the Roman poets , says , -Mere poetry . Your Roman wits , your ...
... says , " Your men of business usually have recourse to such instances as are too mean and familiar . " Spect . No. 421. - And Cleopatra , in All for Love , speaking of the Roman poets , says , -Mere poetry . Your Roman wits , your ...
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ablative absolute accent admit Anacoenosis arguments asyndeton attention beauty begins C©¡sar c©¡sura called character Cicero circumflex Clodius comma common composition considered Demosthenes depends diphthong discourse distinct distinguished Elements of Elocution emphasis emphatic words endeavour example express falling inflection figure following sentence force former give higher tone honour Ibid idea inflection of voice instance interrogation interrogative words Julius C©¡sar kind language latter likewise long pause loose sentence loud lower tone manner Mark Antony marked meaning Milo mind monotone nature necessary object observed orator ornament Paradise Lost particular passage passion perceive perfect sense period person phatical Pompey pronounced pronunciation proper punctuation question Quintilian reader reading reason requires rhetoric rising inflection rule says semicolon short pause slide sound speaker speaking Spect Spectator style syllable tence thing tion tone of voice variety verb verse virtue vowels whole writing
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226 ÆäÀÌÁö - And when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown that Sylvan loves Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallowed haunt.
176 ÆäÀÌÁö - Vice is a monster of so frightful mien, As, to be hated, needs but to be seen ; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace.
43 ÆäÀÌÁö - O thou that, with surpassing glory crowned, Look'st from thy sole dominion like the god Of this new World — at whose sight all the stars Hide their diminished heads — to thee I call, But with no friendly voice, and add thy name, 0 Sun, to tell thee how I hate thy beams, That bring to my remembrance from what state 1 fell, how glorious once above thy Sphere...
172 ÆäÀÌÁö - While from the bounded level of our mind Short views we take, nor see the lengths behind : But more...
244 ÆäÀÌÁö - Annual for me, the grape, the rose renew The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot-stool earth, my canopy the skies.
176 ÆäÀÌÁö - All Nature is but art, unknown to thee All chance, direction, which thou canst not see; All discord, harmony not understood; All partial evil, universal good: And, spite of pride, in erring reason's spite, One truth is clear, Whatever is, is right.
177 ÆäÀÌÁö - When the proud steed shall know why man restrains His fiery course, or drives him o'er the plains ; When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt's god : Then shall man's pride and dulness comprehend His actions', passions', being's use and end ; Why doing, suffering, check'd, impell'd; and why This hour a slave, the next a deity.
169 ÆäÀÌÁö - Hurled headlong flaming from the ethereal sky With hideous ruin and combustion down To bottomless perdition, there to dwell In adamantine* chains and penal fire, Who durst defy the Omnipotent to arms.
242 ÆäÀÌÁö - So cowardly ; and, but for these vile guns, He would himself have been a soldier.
243 ÆäÀÌÁö - tis true, this god did shake : His coward lips did from their colour fly, And that same eye whose bend doth awe the world Did lose his lustre : I did hear him groan : Ay, and that tongue of his that bade the Romans Mark him and write his speeches in their books, Alas, it cried ' Give me some drink, Titinius,