excused himself, saying he had no time. He therefore stayed without the door until I brought him the patent, whereupon he thanked me and said, "Do not wonder hereat, you will soon see what my purpose is." Whereupon he struck his spurs into his horse's sides, and did not come back again. THE ANGEL IN THE HOUSE.' BY COVENTRY PATMORE. [COVENTRY KEARSEY DIGHTON PATMORE, English poet, was born at Woodford, in Essex, July 23, 1823, and was librarian of the British Museum 18471868. He married Emily Augusta Andrews in 1847, and after her death embraced Catholicism. He ultimately removed to Hastings, where he built a large Catholic church at his own expense. His writings include: "Tamerton Church Tower" (1853), "The Angel in the House" (1854-1862), "The Unknown Eros and other Odes" (1877), "Religio Poetæ " (1893), and "The Rod, the Root, and the Flower (1895). Patmore ardently supported the Preraphaelite movement and contributed several poems to the Germ, the organ of the Preraphaelites. He died in 1896.] HONORIA. PRELUDES. I. The Lover. He meets, by heavenly chance express, Which others cannot understand. Her beauty haunts him all the night; Most humble when he most aspires, Her graces make him rich, and ask 1 By permission of Geo. Bell & Sons. (7th edition, fcap. 8vo., price 38. 6d.) Affronts him; he disdains to bask, The pensioner of her priceless smile. He prays for some hard thing to do, Some work of fame and labor immense, To stretch the languid bulk and thew Of love's fresh-born magnipotence. No smallest boon were bought too dear, Though bartered for his love-sick life; Yet trusts he, with undaunted cheer, To vanquish heaven, and call her Wife. He notes how queens of sweetness still Neglect their crowns, and stoop to mate; How, self-consigned with lavish will, They ask but love proportionate; How swift pursuit by small degrees, Love's tactic, works like miracle; How valor, clothed in courtesies, Brings down the haughtiest citadel; And therefore, though he merits not To kiss the braid upon her skirt, His hope, discouraged ne'er a jot, Outsoars all possible desert. II. Love a Virtue. Strong passions mean weak will, and he Few hear my word; it soars above The subtlest senses of the swarm Of wretched things which know not love, And to corrupt hearts even so The songs I sing, the tale I tell. These cannot see the robes of white In which I sing of love. Alack, But darkness shows in heavenly light, Though whiteness, in the dark, is black! III. Unthrift. Ah, wasteful woman, she who may On her sweet self set her own price, Knowing man cannot choose but pay, IV. The Attainment. You love? That's high as you shall go; Not noble then is never so, Either in this world or the next. THE COUNTY BALL, PRELUDES. I. Love Ceremonious. Keep your undrest, familiar style In sloth's unceremonious rags. Let love make home a gracious Court; And learn to bow and stand at gaze; None treading on another's train. II. The Rainbow. A stately rainbow came and stood, When I was young, in High-Hurst Park; Its bright feet lit the hill and wood. Beyond, and cloud and sward were dark; And I, who thought the splendor ours Because the place was, t'wards it flew, III. A Paradox. To tryst Love blindfold goes, for fear LOVE IN IDLENESS. PRELUDES. I. Honor and Desert. O queen, awake to thy renown, Require what 'tis our wealth to give, I, who in manhood's name at length Must yet in this thy praise abate, Than fits his fellowship with thee. High thoughts had shaped the foolish brow, Seller and buyer both disgrace; Banish the light from virtue's face. II. Love and Honor. What man with baseness so content, And inmost warmth of love's delight With saintly honors, chaste and good, III. Valor misdirected. I'll hunt for dangers North and South, HUSBAND AND WIFE. PRELUDES. I. The Married Lover. Why, having won her, do I woo? Nay, rather marks more fair the height To dread, as lower ladies might, That grace could meet with disrespect, Thus she with happy favor feeds Allegiance from a love so high |