Drama of a Nation: Public Theater in Renaissance England and SpainCornell University Press, 1985 - 416페이지 |
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... stage , also largely free of classical influence . Schlegel's answer thus leads simply to the reformulation of the ... stage and the late - seventeenth - century Spanish court stage occupy an ambiguous position , their pervasive links ...
... stage , also largely free of classical influence . Schlegel's answer thus leads simply to the reformulation of the ... stage and the late - seventeenth - century Spanish court stage occupy an ambiguous position , their pervasive links ...
267 페이지
... stage only so long as the professional troupes did not seek to appeal to a different audience . But increasing visits to court en- couraged the actors to aim at a more aristocratic clientele than previ- ously . At the same time , the ...
... stage only so long as the professional troupes did not seek to appeal to a different audience . But increasing visits to court en- couraged the actors to aim at a more aristocratic clientele than previ- ously . At the same time , the ...
278 페이지
... Stage - playes [ disagree ] with the Seasons of Humiliation , this being an Exercise of sad and pious solemnity , and the other being Spectacles of pleasure , too commonly expressing laciuious Mirth and Levitie : It is therefore thought ...
... Stage - playes [ disagree ] with the Seasons of Humiliation , this being an Exercise of sad and pious solemnity , and the other being Spectacles of pleasure , too commonly expressing laciuious Mirth and Levitie : It is therefore thought ...
목차
Medieval Theater and the Structure of Feudalism 33 | 3 |
Renaissance Theater and the Transition from Feudalism | 82 |
The Emergence of the Public Theater | 136 |
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absolutism absolutist actors Anderson aristocratic audience Bamba bourgeois bourgeoisie Calderón Cambridge capitalism capitalist characters Christian classical conflict court crisis critical crown crucial dramatists dramaturgy early economic Elizabethan England England and Spain English and Spanish Europe feudal France Fuente Ovejuna genre Habsburg ideological intrigue tragedy Italian Italy Jacobean Jonson King Lear late sixteenth century least literary Literature liturgical liturgical drama London Lope de Vega Lope's lower classes Madrid Marlowe medieval Merchant of Venice Middle Ages mode of production monarchy moral national history play neoclassical neofeudal nobility nonetheless peasant peasantry perhaps perspective playwrights plot political popular culture position protagonist public theater radical rebellion relations religious Renaissance Renaissance drama reveals romance romantic comedy royal ruling class satiric comedy secular sense seventeenth century Shakespeare social society Spanish Spanish drama stage structure synthesis teatro theatrical tion tradition tragic tragicomedy trans Tudor unity University Press urban York