41. CLIMAX: (reach highest point) Colloquial. a-He called me a liar, a thief, a murderer! b-Oh, gentlemen, it was grand, sublime, masterful, wonderful. c-I shall denounce him here, I shall denounce him at the convention, I shall denounce him in the Senate, I shall denounce him everywhere. d-Yes, I did it yesterday, I did it today, and I'll do it tomorrow. e-I shall do it tomorrow, I did it today, and I did it yesterday. Classical. f-The cloud-capp'd towers, the gorgeous palaces, SHAKESPEARE, The Tempest, iv, 1. SHAKESPEARE, Hamlet, iii, 4. 42. COAXING: (See Entreaty, Appeal.) Colloquial. a-Oh, papa, please take me to the circus, do; I'll be so good if you do. Won't you? Do. b-Please tell me what she said, do. I won't repeat it for the world. Tell me, O, do. Classical. c-I prythee call him back. . . . Good love, call him back. SHAKESPEARE, Othello, iii, 3. d-Sweet, sweet nurse, tell me, what says my love? SHAKESPEARE, Romeo and Juliet, ii, 5. 43. COMMENDATION: (See Praise, Admiration.) a-He won't pay the slightest attention to me. Classical. c-My lord of Gloster, I have long borne 45. COMPARISON: Colloquial. a-That is good, this is better, but this is best. b-This one is brighter, but the other has the nobler countenance. c-I should say this weighs about two pounds and this two and a half. d Classical. It [mercy] becomes Wherein doth sit the dread and fear of kings; It is enthroned in the hearts of kings, It is an attribute of God himself; And earthly power doth then show likest God's SHAKESPEARE, Merchant of Venice, iv, 1. e-Brutus, and Caesar: what should be in that Caesar? SHAKESPEARE, Julius Caesar, i, 2. c-Back, back, you cowards! Would you lose your honor? Back! d-Hold! for your lives! Classical. SHAKESPEARE, Othello, ii, 3. SHAKESPEARE, Richard III, i, 2. -Stay! you that bear the corse, and set it down. 47. CONCESSION: (See Frankness.) Colloquial. a-Yes, I'll grant that much. b—I admit it was partly my fault, not all. c-I will give you a piece of it, but not all of it. Classical. d—I grant I am a woman. SHAKESPEARE, Julius Caesar, ii, 1 48. CONDEMNATION: (Solemn) Colloquial. a-You have brought upon yourself a terrible responsi bility. b-You have made everybody feel awful. Classical. c-Hear your sentence. We our kingdom's safety must so tender, SHAKESPEARE, Henry V, ii, 2. 49. CONDEMNATION: (Angry) Colloquial. a-You ought to be thoroughly ashamed of yourself. b—That's simply outrageous, wicked. c-That's real mean of you. Classical. d-A murderer and a villain! A slave, that is not twentieth part the tithe SHAKESPEARE, Hamlet, iii, 4. 50. CONCERN: (See Anxiety.) Colloquial. a-I hope nothing has happened to him. c-Thou shalt have charge, and sovereign trust, herein. SHAKESPEARE, Henry IV, I, iii, 2. SHAKESPEARE, Othello, i, 3. 52. CONFUSION: Colloquial. a-Really I didn't mean to--I was going to—that is—I mean-no-yes-really Classical. b-It is very sultry,-as 'twere,-I cannot tell how,but-my lord SHAKESPEARE, Hamlet, v, 2. 53. CONSOLATION: (See Encouragement.) Colloquial. a-Oh, don't take it so to heart; it is not really so bad as it seems. Everything will come out all right. b—Don't cry—I won't tell. Really I won't. Classical. c-The king shall have my service, but my prayers 54. CONTEMPT: SHAKESPEARE, Henry VIII, iii, 2. Colloquial. a-Do you think I could so lower myself as to shake hands with you. I had rather touch a toad. b-Speak to you? Bah! What are you but a low, miserable cur. C d Classical. -Remember whom you are to cope withal; A sort of vagabonds, rascals and runaways, That bear the shapes of men, how have you run All hurt behind; backs red, and faces pale SHAKESPEARE, Coriolanus, i, 4. |