Facets of ComedyGrosset & Dunlap, 1972 - 340페이지 |
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197 페이지
... S. N. Behrman , the last great writer of the drawing - room comedy or comedy of manners , once wrote that " both categories are outmoded , meaningless and . . . their use should be discontinued . " Behrman referred to a superb ...
... S. N. Behrman , the last great writer of the drawing - room comedy or comedy of manners , once wrote that " both categories are outmoded , meaningless and . . . their use should be discontinued . " Behrman referred to a superb ...
211 페이지
... he wrote that when they put on their thinking caps , the caps assume a vaguely conical shape . The man of letters who has a justifiable claim as the last writer of high comedy is S. N. Behrman . He had a critical eye for the underlying ...
... he wrote that when they put on their thinking caps , the caps assume a vaguely conical shape . The man of letters who has a justifiable claim as the last writer of high comedy is S. N. Behrman . He had a critical eye for the underlying ...
213 페이지
... Behrman , puzzled by life , saw the comic in the clashes of radicalism , conserva- tivism , and liberalism . True to ... S. N. Behrman once more tested his talent for comedy by writing on a topic that was not a source of laughter ...
... Behrman , puzzled by life , saw the comic in the clashes of radicalism , conserva- tivism , and liberalism . True to ... S. N. Behrman once more tested his talent for comedy by writing on a topic that was not a source of laughter ...
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absurd actor Aristophanes artist audience Beckett become Behrman Bertolt Brecht bourgeois Brecht burlesque caricature century characters Chekhov clown comedy of ideas comedy of manners comedy writer comic commedia dell'arte contemporary created critic Dadaism death despair dialogue Don Juan dramatic dramatist drawing-room comedy dreams Dürrenmatt Eric Bentley ESTRAGON farce farcical feeling fool French Frisch funny Giraudoux Godot Greek grotesque hero high comedy human humor illusion Ionesco Irish irony Jonson laugh laughter literary live man's mask Max Frisch meaning mind Molière Molière's moral never nudity Oscar Wilde parody philosophical Pinter Pirandello play playwrights plot poetic political realistic reality realization Renaissance Restoration comedy ridiculous S. N. Behrman satire satirist scene Shakespeare Shaw social society stage Sternheim story symbol Tartuffe theatre theatrical theme thought tion tragedy tragic tragicomic trans tried turned types verbal visual VLADIMIR Waiting for Godot wanted words written wrote York