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acted actor actress admired amusement appearance audience Bannister Battle of Hexham beautiful benefit better boxes called character Charles Charles Kemble charm Colman comedy comic countenance Covent Garden Theatre critic delighted display dramatic dress Drury Lane Theatre effect entertainment equal excellent exhibited expression Falstaff fame fancy farce father favour feeling Garrick genius gentleman George Steevens grace Hamlet Harris honour interest Jordan Kemble Kemble's King Lady Lewis Lord Macbeth manager manner ment merit mind Miss Farren nature never night occasion Octavian opera Othello Palmer passion perfect performance perhaps person piece play poet pounds present Prince Hoare proprietors racter reader remember Reynolds rival royal scene School for Scandal season seemed Shakspeare Sheridan Siddons sion spirit Spranger Barry stage Steevens talent taste theatrical thing thought tion tragedy usual Vortigern whole write Wroughton young
370 페이지 - twere with a defeated joy, With one auspicious and one dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole...
58 페이지 - I have of late— but wherefore I know not— lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.
201 페이지 - Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
38 페이지 - Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale : sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound.
555 페이지 - A play read affects the mind like a play acted. It is therefore evident that the action is not supposed to be real; and it follows that between the acts a longer or shorter time may be allowed to pass, and that no more account of space or duration is to be taken by the auditor of a drama...
89 페이지 - We are alarmed into reflection ; our minds (as it has long since been observed) are purified by terror and pity; our weak unthinking pride is humbled, under the dispensations of a mysterious wisdom. Some tears might be drawn from me, if such a spectacle were exhibited on the stage. I should be truly ashamed of finding in myself that superficial, theatric sense of painted distress, whilst I could exult over it in real life.
65 페이지 - Angels and ministers of grace defend us! Be thou a spirit of health, or goblin damn'd, Bring with thee airs from heaven, or blasts from hell, Be thy intents wicked, or charitable, Thou com'st in such a questionable shape, That I will speak to thee...
38 페이지 - ... an objection : sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture passeth for it.
38 페이지 - ... from a lucky hitting upon what is strange ; sometimes from a crafty wresting obvious matter to the purpose. Often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable, and inexplicable ; being answerable to the numberless rovings of fancy, and windings of language.