The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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117 페이지
... admiration of nothing but what is truly admirable . If you choose inferior patterns , or if you make your own former works your patterns for your latter , it is your own fault . The purport of this discourse , and , indeed , of most of ...
... admiration of nothing but what is truly admirable . If you choose inferior patterns , or if you make your own former works your patterns for your latter , it is your own fault . The purport of this discourse , and , indeed , of most of ...
127 페이지
... admirable artist had spent the greater part of his life in an active , busy , and , we may add , successful attention to the ridicule of life ; after he had invented a new species of dramatic painting , in which , probably , he will ...
... admirable artist had spent the greater part of his life in an active , busy , and , we may add , successful attention to the ridicule of life ; after he had invented a new species of dramatic painting , in which , probably , he will ...
129 페이지
... admirable picture of a storm , which I have seen of his hand , many figures are introduced in the fore ground , some in apparent distress , and some struck dead , as a spectator would naturally suppose , by the lightning ; had not the ...
... admirable picture of a storm , which I have seen of his hand , many figures are introduced in the fore ground , some in apparent distress , and some struck dead , as a spectator would naturally suppose , by the lightning ; had not the ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish