The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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... beauty . " He , " says Proclus , * " who takes for his model such forms as nature produces , and confines him- self to an exact imitation of them , will never attain to what is perfectly beautiful : for the works of nature are full of ...
... beauty . " He , " says Proclus , * " who takes for his model such forms as nature produces , and confines him- self to an exact imitation of them , will never attain to what is perfectly beautiful : for the works of nature are full of ...
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... beauty in any species must combine all the characters which are beautiful in that species . It cannot consist in any ... beauty , may still have a certain union of the various parts , which may contribute to make them on the whole not un ...
... beauty in any species must combine all the characters which are beautiful in that species . It cannot consist in any ... beauty , may still have a certain union of the various parts , which may contribute to make them on the whole not un ...
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... beauty ; that a false or depraved taste is a thing as well known , as easily discovered , as any thing that is ... beauty . If what has been advanced be true , -that beside this beauty or truth , which is formed on the uni- form ...
... beauty ; that a false or depraved taste is a thing as well known , as easily discovered , as any thing that is ... beauty . If what has been advanced be true , -that beside this beauty or truth , which is formed on the uni- form ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish