The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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36개의 결과 중 1 - 3개
11 페이지
... become me to dictate to any of them . But as these institutions have so often failed in other nations ; and as it is ... becomes master of the rudiments . For it may be laid down as a maxim , that he who be gins by presuming on his own ...
... become me to dictate to any of them . But as these institutions have so often failed in other nations ; and as it is ... becomes master of the rudiments . For it may be laid down as a maxim , that he who be gins by presuming on his own ...
12 페이지
... become masters themselves . It is then , when their genius has received its utmost improvement , that rules may possibly be dispensed with . But let us not destroy the scaffold until we have raised the building . The directors ought ...
... become masters themselves . It is then , when their genius has received its utmost improvement , that rules may possibly be dispensed with . But let us not destroy the scaffold until we have raised the building . The directors ought ...
126 페이지
... become capable of no small degree of stability and determination , by their permanent and uniform nature . As these prejudices become more narrow , more local , more transitory , this secondary taste becomes more and more fantastical ...
... become capable of no small degree of stability and determination , by their permanent and uniform nature . As these prejudices become more narrow , more local , more transitory , this secondary taste becomes more and more fantastical ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish