The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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76 페이지
... endeavour to unite stately dignity , youthful elegance , and stern valour , must surely possess none of these to any eminent degree . From hence it appears , that there is much diffi- culty as well as danger , in an endeavour to concen ...
... endeavour to unite stately dignity , youthful elegance , and stern valour , must surely possess none of these to any eminent degree . From hence it appears , that there is much diffi- culty as well as danger , in an endeavour to concen ...
89 페이지
... endeavour to please , as in those whom you endeavour to imi- tate . Without the love of fame you can never do any thing excellent ; but by an excessive and un- distinguishing thirst after it , you will come to have vulgar views ; you ...
... endeavour to please , as in those whom you endeavour to imi- tate . Without the love of fame you can never do any thing excellent ; but by an excessive and un- distinguishing thirst after it , you will come to have vulgar views ; you ...
115 페이지
... endeavour to infuse into your works what you learn from the contemplation of the works of others . To recommend this has the appearance of needless and superfluous advice ; but it has fallen within my own knowledge , that artists ...
... endeavour to infuse into your works what you learn from the contemplation of the works of others . To recommend this has the appearance of needless and superfluous advice ; but it has fallen within my own knowledge , that artists ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish