The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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14 페이지
... grace- ful folds , which shall give the most grace and dig- nity to the human figure . I must beg leave to submit one thing more to 14 SIR JOSHUA REYNOLDS'S.
... grace- ful folds , which shall give the most grace and dig- nity to the human figure . I must beg leave to submit one thing more to 14 SIR JOSHUA REYNOLDS'S.
112 페이지
... grace in his works , as well as in those of Bosch and Watteau , may be said to be separated by a very thin partition , from the more simple and pure grace of Correggio and Parmegiano . Among the Dutch painters , the correct , firm , and ...
... grace in his works , as well as in those of Bosch and Watteau , may be said to be separated by a very thin partition , from the more simple and pure grace of Correggio and Parmegiano . Among the Dutch painters , the correct , firm , and ...
9 페이지
... grace and dignity to the charac- ters of those whose pictures we draw : so far he is undoubtedly right ; but , unluckily , he descends to particulars , and gives his own idea of grace and dig- nity . " If , " says he , " B 2 VIII . ] 9 ...
... grace and dignity to the charac- ters of those whose pictures we draw : so far he is undoubtedly right ; but , unluckily , he descends to particulars , and gives his own idea of grace and dig- nity . " If , " says he , " B 2 VIII . ] 9 ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish