The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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... higher , no taste can ever be formed in manufactures ; but if the higher arts of design flourish , these inferior ends will be answered of course . We are happy in having a prince , who has con- ceived the design of such an institution ...
... higher , no taste can ever be formed in manufactures ; but if the higher arts of design flourish , these inferior ends will be answered of course . We are happy in having a prince , who has con- ceived the design of such an institution ...
39 페이지
... higher excellences : on these conditions , he will be forced , however loath , to ac- knowledge that the boundaries of his art have long been fixed , and that all endeavours will be vain that hope to pass beyond the best works which ...
... higher excellences : on these conditions , he will be forced , however loath , to ac- knowledge that the boundaries of his art have long been fixed , and that all endeavours will be vain that hope to pass beyond the best works which ...
123 페이지
a higher style ; and even the flesh seems to take a higher and richer tone of colour . Judgment is to direct us in the use to be made of this method of study ; but the method itself is , I am very sure , advantageous . I have often ...
a higher style ; and even the flesh seems to take a higher and richer tone of colour . Judgment is to direct us in the use to be made of this method of study ; but the method itself is , I am very sure , advantageous . I have often ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish