The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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40 페이지
... idea of their forms more perfect than any one original ; and what may seem a paradox , he learns to design na- turally by drawing his figures unlike to any one object . This idea of the perfect state of nature , which the artist calls ...
... idea of their forms more perfect than any one original ; and what may seem a paradox , he learns to design na- turally by drawing his figures unlike to any one object . This idea of the perfect state of nature , which the artist calls ...
43 페이지
... idea of perfection in each kind . There is , likewise , a kind of symmetry , or pro- portion , which may properly be ... idea of beauty and sym- metry ; when he has reduced the variety of nature : to the abstract idea ; his next task ...
... idea of perfection in each kind . There is , likewise , a kind of symmetry , or pro- portion , which may properly be ... idea of beauty and sym- metry ; when he has reduced the variety of nature : to the abstract idea ; his next task ...
138 페이지
... idea of nature , in one case , as well as in the other . The internal fabric of our minds , as well as the external form of our bodies , being nearly uniform ; it seems then to follow of course , that as the imagination is incapable of ...
... idea of nature , in one case , as well as in the other . The internal fabric of our minds , as well as the external form of our bodies , being nearly uniform ; it seems then to follow of course , that as the imagination is incapable of ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish