The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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26 페이지
... kind will rouse your powers . But as mere enthusiasm will carry you but a little way , let me recommend a practice that may be equivalent to , and will perhaps more efficaciously contribute to your advancement , than even the verbal ...
... kind will rouse your powers . But as mere enthusiasm will carry you but a little way , let me recommend a practice that may be equivalent to , and will perhaps more efficaciously contribute to your advancement , than even the verbal ...
43 페이지
... kind . There is , likewise , a kind of symmetry , or pro- portion , which may properly be said to belong to deformity . A figure lean or corpulent , tall or short , though deviating from beauty , may still have a certain union of the ...
... kind . There is , likewise , a kind of symmetry , or pro- portion , which may properly be said to belong to deformity . A figure lean or corpulent , tall or short , though deviating from beauty , may still have a certain union of the ...
138 페이지
... kind by that of others . The well - disciplined mind acknowledges this authority , and submits its own opinion to the public voice . It is from knowing what are the general feelings and passions of mankind , that we acquire a true idea ...
... kind by that of others . The well - disciplined mind acknowledges this authority , and submits its own opinion to the public voice . It is from knowing what are the general feelings and passions of mankind , that we acquire a true idea ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish