The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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63 페이지
... manner ; " but then he added , " that it was a pity the Venetian painters did not learn to draw correctly in their early youth , and adopt a better manner of study . " By this it appears , that the principal attention of the Venetian ...
... manner ; " but then he added , " that it was a pity the Venetian painters did not learn to draw correctly in their early youth , and adopt a better manner of study . " By this it appears , that the principal attention of the Venetian ...
123 페이지
... manner of Guercino , will be convinced , that he either painted by this light , or formed his manner on this conception . Another practice Gainsborough had , which is worth mentioning , as it is certainly worthy of imita tion ; I mean ...
... manner of Guercino , will be convinced , that he either painted by this light , or formed his manner on this conception . Another practice Gainsborough had , which is worth mentioning , as it is certainly worthy of imita tion ; I mean ...
132 페이지
... manner , as it is often a cause of our approbation , so likewise it is often a ground of censure ; as being contrary to the practice of other painters , in whose manner we have been initiated , and in whose favour we have , perhaps ...
... manner , as it is often a cause of our approbation , so likewise it is often a ground of censure ; as being contrary to the practice of other painters , in whose manner we have been initiated , and in whose favour we have , perhaps ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish