The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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88 페이지
... modern air or countenance , if they appeared like our countrymen , if the draperies were like cloth or silk of our manufacture , if the landscape had the appearance of a modern view ; how ridiculous would Apollo appear instead of the ...
... modern air or countenance , if they appeared like our countrymen , if the draperies were like cloth or silk of our manufacture , if the landscape had the appearance of a modern view ; how ridiculous would Apollo appear instead of the ...
46 페이지
... modern dress . The folly of attempting to make stone sport and flutter in the air , is so apparent , that it carries with it its own reprehension ; and yet , to accom- plish this , seemed to be the great ambition of many modern ...
... modern dress . The folly of attempting to make stone sport and flutter in the air , is so apparent , that it carries with it its own reprehension ; and yet , to accom- plish this , seemed to be the great ambition of many modern ...
51 페이지
... modern sculptors to turn the buildings which they have introduced as seen from their angle , with a view to make ... modern dress . The desire of transmitting to posterity the shape of modern dress must be acknowledged to be pur- chased ...
... modern sculptors to turn the buildings which they have introduced as seen from their angle , with a view to make ... modern dress . The desire of transmitting to posterity the shape of modern dress must be acknowledged to be pur- chased ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish