The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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44 페이지
... nature , distinct from accidental deformity , he must endeavour to separate simple chaste nature from those adventitious , those affected and forced airs or actions , with which she is loaded by modern education . Perhaps I cannot ...
... nature , distinct from accidental deformity , he must endeavour to separate simple chaste nature from those adventitious , those affected and forced airs or actions , with which she is loaded by modern education . Perhaps I cannot ...
45 페이지
... nature ; he must divest himself of all prejudices in favour of his age or country ; he must disregard all local and temporary ornaments , and look only on those general habits which are every where and always the same : he addresses his ...
... nature ; he must divest himself of all prejudices in favour of his age or country ; he must disregard all local and temporary ornaments , and look only on those general habits which are every where and always the same : he addresses his ...
128 페이지
My notion of nature comprehends not only the forms which nature produces , but also the nature and internal fabric and organization , as I may call it , of the human mind and imagination . The terms beauty , or nature , which are ...
My notion of nature comprehends not only the forms which nature produces , but also the nature and internal fabric and organization , as I may call it , of the human mind and imagination . The terms beauty , or nature , which are ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish