The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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95 페이지
... opinion , that the study of other masters , which I here call imitation , may be extended throughout our whole lives , without any danger of the incon- veniences with which it is charged , of enfeebling the mind , or preventing us from ...
... opinion , that the study of other masters , which I here call imitation , may be extended throughout our whole lives , without any danger of the incon- veniences with which it is charged , of enfeebling the mind , or preventing us from ...
123 페이지
... opinion , pretend to an entire exemption from the restraint of rules : it is supposed that their powers are intuitive ; that under the name of genius great works are produced , and under the name of taste an exact judgment is given ...
... opinion , pretend to an entire exemption from the restraint of rules : it is supposed that their powers are intuitive ; that under the name of genius great works are produced , and under the name of taste an exact judgment is given ...
101 페이지
... opinion of what ought to be the object of your pursuit ; be cause , though the best critics must always have exploded this strange idea , yet I know that there is a disposition towards a perpetual recurrence to it , on account of its ...
... opinion of what ought to be the object of your pursuit ; be cause , though the best critics must always have exploded this strange idea , yet I know that there is a disposition towards a perpetual recurrence to it , on account of its ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish