The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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126 페이지
... reason , and less followed in practice ; though in no case perhaps to be wholly neglected , where it does not stand , as it sometimes does , in direct defiance of the most respectable opinions received amongst mankind . Having laid down ...
... reason , and less followed in practice ; though in no case perhaps to be wholly neglected , where it does not stand , as it sometimes does , in direct defiance of the most respectable opinions received amongst mankind . Having laid down ...
151 페이지
... reason is likely to produce . It is not so : fear is neither reason nor philosophy . The true spirit of philoso- phy , by giving knowledge , gives a manly confidence , and substitutes rational firmness in the place of vain presumption ...
... reason is likely to produce . It is not so : fear is neither reason nor philosophy . The true spirit of philoso- phy , by giving knowledge , gives a manly confidence , and substitutes rational firmness in the place of vain presumption ...
99 페이지
... reason , because it is the first , to be laid up with care . If this be not done , the artist may happen to impose ... reason , and of much more weight and im- portance , are involved , and , as it were , lie hid , under the appearance ...
... reason , because it is the first , to be laid up with care . If this be not done , the artist may happen to impose ... reason , and of much more weight and im- portance , are involved , and , as it were , lie hid , under the appearance ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish