The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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57 페이지
... seen it in an instance or two ; and he mistook ac- cident for generality . With respect to colouring , though it may appear at first a part of painting merely mechanical , yet it still has its rules , and those grounded upon that ...
... seen it in an instance or two ; and he mistook ac- cident for generality . With respect to colouring , though it may appear at first a part of painting merely mechanical , yet it still has its rules , and those grounded upon that ...
47 페이지
... seen clearly , and without any ambiguity , at the first glance of the eye . This the painter can easily do by colour , by losing parts in the ground , or keeping them so obscure as to prevent them from interfering with the more ...
... seen clearly , and without any ambiguity , at the first glance of the eye . This the painter can easily do by colour , by losing parts in the ground , or keeping them so obscure as to prevent them from interfering with the more ...
142 페이지
... seen much , and I had thought much upon what I had seen : I had something of a habit of investiga- tion , and a disposition to reduce all that I observed and felt in my own mind , to method and system ; but never having seen what I ...
... seen much , and I had thought much upon what I had seen : I had something of a habit of investiga- tion , and a disposition to reduce all that I observed and felt in my own mind , to method and system ; but never having seen what I ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish