The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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105 페이지
... sufficient excuse that it can be imputed to considerable artists ; but it must be re- membered , that it was not by these defects they acquired their reputation ; they have a right to our pardon , but not to our admiration , However ...
... sufficient excuse that it can be imputed to considerable artists ; but it must be re- membered , that it was not by these defects they acquired their reputation ; they have a right to our pardon , but not to our admiration , However ...
52 페이지
... sufficient , with- out prostituting this great art to such mean pur- poses . In this town may be seen an equestrian statue in a modern dress , which may be sufficient to deter future artists from any such attempt : even supposing no ...
... sufficient , with- out prostituting this great art to such mean pur- poses . In this town may be seen an equestrian statue in a modern dress , which may be sufficient to deter future artists from any such attempt : even supposing no ...
75 페이지
... have always strongly suspected , that this love of method , on which some persons appear to place so great dependence , is , in reality , at the bottom , a love of idleness , a want of sufficient energy to XII . ] 75 DISCOURSES .
... have always strongly suspected , that this love of method , on which some persons appear to place so great dependence , is , in reality , at the bottom , a love of idleness , a want of sufficient energy to XII . ] 75 DISCOURSES .
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish