The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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... taste , in their common acceptation , appear to be very nearly related ; the difference lies only in this , that genius has superadded to it a habit or power of execution or we may say , that taste , when this power is added , changes ...
... taste , in their common acceptation , appear to be very nearly related ; the difference lies only in this , that genius has superadded to it a habit or power of execution or we may say , that taste , when this power is added , changes ...
125 페이지
subjects of taste and sense , and which having as much certainty as the senses themselves , give no occasion to inquiry or dispute . The natural ap- petite or taste of the human mind is for truth ; whether that truth results from the ...
subjects of taste and sense , and which having as much certainty as the senses themselves , give no occasion to inquiry or dispute . The natural ap- petite or taste of the human mind is for truth ; whether that truth results from the ...
151 페이지
... taste , at all prevent or weaken the influence of those general principles , which alone can give to art its true and permanent dignity . To form this just taste is undoubtedly in your own power , but it is to reason and philosophy that ...
... taste , at all prevent or weaken the influence of those general principles , which alone can give to art its true and permanent dignity . To form this just taste is undoubtedly in your own power , but it is to reason and philosophy that ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish