The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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125 페이지
... true ; as true as mathematical demonstration , but known to be true only to those who study these things . But beside real , there is also apparent truth , or opinion , or prejudice . With regard to real truth , when it is known , the ...
... true ; as true as mathematical demonstration , but known to be true only to those who study these things . But beside real , there is also apparent truth , or opinion , or prejudice . With regard to real truth , when it is known , the ...
151 페이지
... true and permanent dignity . To form this just taste is undoubtedly in your own power , but it is to reason and philosophy that you must have recourse ; from them you must bor- row the balance , by which is to be weighed and estimated ...
... true and permanent dignity . To form this just taste is undoubtedly in your own power , but it is to reason and philosophy that you must have recourse ; from them you must bor- row the balance , by which is to be weighed and estimated ...
112 페이지
... true test of all the arts is not solely whether the production is a true copy of nature , but whether it answers the end of art , which is to produce a pleasing effect upon the mind . It remains only to speak a few words of archi ...
... true test of all the arts is not solely whether the production is a true copy of nature , but whether it answers the end of art , which is to produce a pleasing effect upon the mind . It remains only to speak a few words of archi ...
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acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish