Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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103 페이지
... Adam express in form and content their control over the vernacular dialogue . What is true of the medium is equally true of its preferred mood , the subjunctive , used with imperative force . God's fiat lux is hardly more authoritative ...
... Adam express in form and content their control over the vernacular dialogue . What is true of the medium is equally true of its preferred mood , the subjunctive , used with imperative force . God's fiat lux is hardly more authoritative ...
110 페이지
... Adam and Eve move on their journey from creation to death are at once foregrounded and differentiated by the inter- action of systems in performance ; entry into and departure from each area are verbally emphasized ; each area is ...
... Adam and Eve move on their journey from creation to death are at once foregrounded and differentiated by the inter- action of systems in performance ; entry into and departure from each area are verbally emphasized ; each area is ...
113 페이지
... Adam might be resumed as the conflict between inertia and motion , with man as the disputed object . God offers Adam eternal residence in the Garden of Eden in exchange for his unswerving obedience : Tot tens vivras , tant i ad bon ...
... Adam might be resumed as the conflict between inertia and motion , with man as the disputed object . God offers Adam eternal residence in the Garden of Eden in exchange for his unswerving obedience : Tot tens vivras , tant i ad bon ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter