Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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42 페이지
... action . ” " 8 Pirandello is making explicit here what is in effect implicit through- out this history of reflection on the art of doing — namely that the main kind of action in the Western dramatic tradition has been spo- ken doing ...
... action . ” " 8 Pirandello is making explicit here what is in effect implicit through- out this history of reflection on the art of doing — namely that the main kind of action in the Western dramatic tradition has been spo- ken doing ...
52 페이지
... action nition ; peripety ; unity of action 6. Epistemic rules of repre- sentation ↑ 7. Role of actor ↓ ↑ 8. Performance constraints ↑ Necessity or probability of acts Vehicle for po- etry ; not essen- tial to tragic effect Visual ...
... action nition ; peripety ; unity of action 6. Epistemic rules of repre- sentation ↑ 7. Role of actor ↓ ↑ 8. Performance constraints ↑ Necessity or probability of acts Vehicle for po- etry ; not essen- tial to tragic effect Visual ...
55 페이지
... actions ( Brecht's gestus , 35 see ele- ment 3 ) . This entails a more diegetic or narrational conception than a mimetic conception of action ( element 2 ) . In Brecht , this exposure is mirrored in the actor's gestus of showing the action ...
... actions ( Brecht's gestus , 35 see ele- ment 3 ) . This entails a more diegetic or narrational conception than a mimetic conception of action ( element 2 ) . In Brecht , this exposure is mirrored in the actor's gestus of showing the action ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter