Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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32 페이지
... actors are no longer mutually exclusive categories ; they refer to one another some- times as actors , sometimes as characters , and in so doing refer to themselves as the actor - characters they are and thus to themselves as illusion ...
... actors are no longer mutually exclusive categories ; they refer to one another some- times as actors , sometimes as characters , and in so doing refer to themselves as the actor - characters they are and thus to themselves as illusion ...
45 페이지
... actor with respect to the fictional acts he or she utters . Austin's passing comment to the effect that a speech act will be " in a peculiar way hollow if said by an actor on stage " 18 has since been taken up and elaborated into a kind ...
... actor with respect to the fictional acts he or she utters . Austin's passing comment to the effect that a speech act will be " in a peculiar way hollow if said by an actor on stage " 18 has since been taken up and elaborated into a kind ...
46 페이지
... actor's very real stage presence , or stage practice , and its materi- ality . In no school of acting , whether , say , Stanislavski's with its ideal of bridging the psychological and experiential divide between the ac- tor's saying and ...
... actor's very real stage presence , or stage practice , and its materi- ality . In no school of acting , whether , say , Stanislavski's with its ideal of bridging the psychological and experiential divide between the ac- tor's saying and ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter