Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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28 페이지
... called historical facts . Like history , which , with the passage of time , comes to refer to itself as his story or her story — that is , as ideological history in the Althusserian sense- so theatre too refers to itself as theatre : as ...
... called historical facts . Like history , which , with the passage of time , comes to refer to itself as his story or her story — that is , as ideological history in the Althusserian sense- so theatre too refers to itself as theatre : as ...
40 페이지
... called the sciences of language ( including literary studies ) , in terms of the paradigmatic shifts over Morris's three " portions " or branches . If formalist and structuralist models of language and other sign systems privileged ...
... called the sciences of language ( including literary studies ) , in terms of the paradigmatic shifts over Morris's three " portions " or branches . If formalist and structuralist models of language and other sign systems privileged ...
70 페이지
... called the acoustic reminder the stage directions require the use of the same sea sound effect in all the pauses in Henry's speeches . This example demon- strates the point made earlier that in radio drama a “ visual ” element is ...
... called the acoustic reminder the stage directions require the use of the same sea sound effect in all the pauses in Henry's speeches . This example demon- strates the point made earlier that in radio drama a “ visual ” element is ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter