Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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79 페이지
... cultural codes , even if we seem bent on semiotizing every- thing , finding signs everywhere . A head turning in response to a call may be interpreted , for example , as betokening civility , interest , or good hearing ; but no discrete ...
... cultural codes , even if we seem bent on semiotizing every- thing , finding signs everywhere . A head turning in response to a call may be interpreted , for example , as betokening civility , interest , or good hearing ; but no discrete ...
80 페이지
... cultural sys- tem , the system of theatre conventions , not only admits but also favors complex conventional signs that , as indivisible units , refer to some theatrical tradition : set characters , set gestures , set movements , set ...
... cultural sys- tem , the system of theatre conventions , not only admits but also favors complex conventional signs that , as indivisible units , refer to some theatrical tradition : set characters , set gestures , set movements , set ...
83 페이지
... cultural signs , which were intended to provide it , did not function properly . It remains to be seen by what strategies Mnouchkine's signs managed to play down their referentiality and , in the first place , how her choice of primary ...
... cultural signs , which were intended to provide it , did not function properly . It remains to be seen by what strategies Mnouchkine's signs managed to play down their referentiality and , in the first place , how her choice of primary ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter