Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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11 페이지
... experience of drama while seem- ing to confront it . It is possible to read many pages , even entire chap- ters and articles , and never see a mention of a play or a player , a playwright or an artist , as though the actuality of drama ...
... experience of drama while seem- ing to confront it . It is possible to read many pages , even entire chap- ters and articles , and never see a mention of a play or a player , a playwright or an artist , as though the actuality of drama ...
54 페이지
... experience in the theatre itself . Castelvetro is explicit about this when he declares that the theatrical experience produces “ no profit " ( not at the box office but after the show ) .32 These are purgational or hedonistic or ...
... experience in the theatre itself . Castelvetro is explicit about this when he declares that the theatrical experience produces “ no profit " ( not at the box office but after the show ) .32 These are purgational or hedonistic or ...
100 페이지
... experience impregnated with theorization ) . Mise en scène is becoming the self- reflexive discourse of the work of art as well as the desire for theori- zation experienced by an audience for which the functioning of the work of art ...
... experience impregnated with theorization ) . Mise en scène is becoming the self- reflexive discourse of the work of art as well as the desire for theori- zation experienced by an audience for which the functioning of the work of art ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter