Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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36 페이지
... Fictional Discourse , " New Literary History 6 , no . 2 , ( 1975 ) : 319-32 ; Leonard Linsky , “ Reference and ... fiction designed for stage representation and constructed according to particular ( ' dramatic ' ) conventions . The ...
... Fictional Discourse , " New Literary History 6 , no . 2 , ( 1975 ) : 319-32 ; Leonard Linsky , “ Reference and ... fiction designed for stage representation and constructed according to particular ( ' dramatic ' ) conventions . The ...
44 페이지
... fictional acts encoding the playwright's " serious " or nonfictional communica- tive intentions is offered by Searle himself in his reflections on the logic of fiction - with the difference that the immediate addressees of the ...
... fictional acts encoding the playwright's " serious " or nonfictional communica- tive intentions is offered by Searle himself in his reflections on the logic of fiction - with the difference that the immediate addressees of the ...
95 페이지
... fiction , the mimesis of the fictional world . This first stage fiction- alization is strengthened by the actors , the atmosphere , and the rhythm , all doing their utmost to persuade us that they incarnate the fiction . The stage ...
... fiction , the mimesis of the fictional world . This first stage fiction- alization is strengthened by the actors , the atmosphere , and the rhythm , all doing their utmost to persuade us that they incarnate the fiction . The stage ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter