Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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35 페이지
... modes of creation : mime , dance , music , and art , each mode referring to its own and the others ' mutually creative powers of stylized interpretation . Now , if interpretation is creation , it follows that theatre is self- creating ...
... modes of creation : mime , dance , music , and art , each mode referring to its own and the others ' mutually creative powers of stylized interpretation . Now , if interpretation is creation , it follows that theatre is self- creating ...
43 페이지
... modes of verbal doing - rather than forms of decorative diction - that have little to do with the speech act proper . There are more things done with dramatic discourse than are dreamt of in your philosophy , John Searle . This branch ...
... modes of verbal doing - rather than forms of decorative diction - that have little to do with the speech act proper . There are more things done with dramatic discourse than are dreamt of in your philosophy , John Searle . This branch ...
72 페이지
... mode of operation ( i.e. , a channel ) ; ( 2 ) a domain of validity ( i.e. , where the system must be recognized and ... modes of discourse . NOTES 1. The Random House Dictionary of the English Language , ed . Jess Stein ( New York ...
... mode of operation ( i.e. , a channel ) ; ( 2 ) a domain of validity ( i.e. , where the system must be recognized and ... modes of discourse . NOTES 1. The Random House Dictionary of the English Language , ed . Jess Stein ( New York ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter