Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
도서 본문에서
16개의 결과 중 1 - 3개
17 페이지
... present , the person of Moonshine . ” That sounds more reasonable , though in the event , as you will re- member , Starveling makes a rather thickheaded Moonshine , so heav- ily symbolic with a thorn bush and a lantern and a little dog ...
... present , the person of Moonshine . ” That sounds more reasonable , though in the event , as you will re- member , Starveling makes a rather thickheaded Moonshine , so heav- ily symbolic with a thorn bush and a lantern and a little dog ...
70 페이지
... present only when made audible or when the listener is otherwise reminded of it ( by verbal reference , for example ) . Beckett's Embers exemplifies another major sound technique : spa- tial evocation . There are four instances in the ...
... present only when made audible or when the listener is otherwise reminded of it ( by verbal reference , for example ) . Beckett's Embers exemplifies another major sound technique : spa- tial evocation . There are four instances in the ...
102 페이지
... present in the Adam , both as text for production and play for reception . 4 Space in the drama is of two essential kinds : the shown and the described , or , as Michael Issacharoff puts it , the mimetic and the die- getic . The ...
... present in the Adam , both as text for production and play for reception . 4 Space in the drama is of two essential kinds : the shown and the described , or , as Michael Issacharoff puts it , the mimetic and the die- getic . The ...
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter