Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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27 페이지
... referent , a hy- phenated sign - referent : at once a sign of something and the thing or things referred to by the actors . Thus , the concrete theatrical referent seen onstage refers , in turn , to itself as a mimetic theatrical sign ...
... referent , a hy- phenated sign - referent : at once a sign of something and the thing or things referred to by the actors . Thus , the concrete theatrical referent seen onstage refers , in turn , to itself as a mimetic theatrical sign ...
29 페이지
... referent . Even when he walks out of his picture frame , he is still a sign - referent and , as such , refers to the other characters as sign - referents , too , by his interaction with them.7 A similar portrayal occurs in Ionesco's ...
... referent . Even when he walks out of his picture frame , he is still a sign - referent and , as such , refers to the other characters as sign - referents , too , by his interaction with them.7 A similar portrayal occurs in Ionesco's ...
89 페이지
... referent of Araminte's speech therefore is not represented by an identifiable ob- ject such as a table : mise en scène does not have to furnish a referent object . However , the spectator is quite capable of imagining a table ( hidden ...
... referent of Araminte's speech therefore is not represented by an identifiable ob- ject such as a table : mise en scène does not have to furnish a referent object . However , the spectator is quite capable of imagining a table ( hidden ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter