Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157ÆäÀÌÁö This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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... ritual : I believe that the theatre makes its effect not by means of illusion , but by ritual . People do not believe that what they see or hear on the stage is ¡° really ¡± happening . Action on the stage is a stylized re - enactment of ...
... ritual : I believe that the theatre makes its effect not by means of illusion , but by ritual . People do not believe that what they see or hear on the stage is ¡° really ¡± happening . Action on the stage is a stylized re - enactment of ...
118 ÆäÀÌÁö
... ritual Secular ritual Sports Social drama Minutes or less Private and re- stricted Theatre on Chekhov Streeta Private but open Happenings and Bar mitzvah performance Initiation rites Sports played at home Sandlot baseball Election of ...
... ritual Secular ritual Sports Social drama Minutes or less Private and re- stricted Theatre on Chekhov Streeta Private but open Happenings and Bar mitzvah performance Initiation rites Sports played at home Sandlot baseball Election of ...
121 ÆäÀÌÁö
... ritual crossing — into a liminal time / space . Returning to Varanasi by boat is a ritual reentering into the ordinary Varanasi world . These states of ( sacred ) being are rela- tive , time - bound and layered or nested one in another ...
... ritual crossing — into a liminal time / space . Returning to Varanasi by boat is a ritual reentering into the ordinary Varanasi world . These states of ( sacred ) being are rela- tive , time - bound and layered or nested one in another ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter