Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157ÆäÀÌÁö This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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47 ÆäÀÌÁö
... theatrical transaction itself : the spectator knows as part of his elementary theatrical competence that he is called upon to interpret what he hears and sees . So that if each performance does no more than renew this statutory ...
... theatrical transaction itself : the spectator knows as part of his elementary theatrical competence that he is called upon to interpret what he hears and sees . So that if each performance does no more than renew this statutory ...
49 ÆäÀÌÁö
... theatrical pragmatics ( or theatrical semiotics in general ) is that it is strictly and , one might say , strategically limited to the temperate zone of the stu- dium and keeps a safe distance from the tropics or dangers of the punctum ...
... theatrical pragmatics ( or theatrical semiotics in general ) is that it is strictly and , one might say , strategically limited to the temperate zone of the stu- dium and keeps a safe distance from the tropics or dangers of the punctum ...
54 ÆäÀÌÁö
... theatrical response proper , becomes merely instrumental . These are didactic or religious or revolutionary models of theatrical praxis , more prescriptive than descriptive . In classical moral theo- ries - Horace's or Scaliger's or ...
... theatrical response proper , becomes merely instrumental . These are didactic or religious or revolutionary models of theatrical praxis , more prescriptive than descriptive . In classical moral theo- ries - Horace's or Scaliger's or ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter