Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
도서 본문에서
57개의 결과 중 1 - 3개
116 페이지
... There are private perform- ances for no audiences , or audiences of one ; there are performances with a live audience of more than a hundred thousand , and a media audience of many millions . There are performances that take place ...
... There are private perform- ances for no audiences , or audiences of one ; there are performances with a live audience of more than a hundred thousand , and a media audience of many millions . There are performances that take place ...
128 페이지
... there are three visible and two implied spatial spheres . These are concentric , and there is much power in each of them , making for a complicated interrelation between the center , the midspace , and the beyond . The Easter ceremonies ...
... there are three visible and two implied spatial spheres . These are concentric , and there is much power in each of them , making for a complicated interrelation between the center , the midspace , and the beyond . The Easter ceremonies ...
133 페이지
... there . Going the Way of the Cross means losing sight of the church . The crucifixion crosses are set behind the stalls , near the toilets , in the far south and east , a direction ( from the perspective of Rio Yaqui ) from whence came ...
... there . Going the Way of the Cross means losing sight of the church . The crucifixion crosses are set behind the stalls , near the toilets , in the far south and east , a direction ( from the perspective of Rio Yaqui ) from whence came ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter