Performing TextsMichael Issacharoff, Robin F. Jones University of Pennsylvania Press, 1988 - 157페이지 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
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79 페이지
... turning in response to a call may be interpreted , for example , as betokening civility , interest , or good hearing ; but no discrete code operates . A great number of pri- mary signs , a turn of the head as well as shapes or colors of ...
... turning in response to a call may be interpreted , for example , as betokening civility , interest , or good hearing ; but no discrete code operates . A great number of pri- mary signs , a turn of the head as well as shapes or colors of ...
89 페이지
... of a theory of mise en scène , as absolute directives . Let us now turn to mise en scène and the links between text and performance . * Mise en scène as a Means of Modulating the Relationship 89 From Text to Performance.
... of a theory of mise en scène , as absolute directives . Let us now turn to mise en scène and the links between text and performance . * Mise en scène as a Means of Modulating the Relationship 89 From Text to Performance.
91 페이지
... turn modifies the analysis of the text and so on , ad infinitum . This theo- retical “ fitting , ” this discrepancy between text and stage , the disparity between the reading of yesterday's Social Context and that of today , constitute ...
... turn modifies the analysis of the text and so on , ad infinitum . This theo- retical “ fitting , ” this discrepancy between text and stage , the disparity between the reading of yesterday's Social Context and that of today , constitute ...
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action actor Adam aesthetic atre & dance audience Austin Barthes Beckett Brecht Chapayekas character church Cocteau's communication convention costume criticism cultural décor dialogue didascalia diegetic discourse dramatic representation dramatic text Elam elements essay Eugène Ionesco example fiction formance frame function Gallimard gesture Ibid ideological illocutionary illusion interaction Ionesco J. P. Donleavy John Searle kabuki Keir Elam language linguistic literary London MADAME meaning medieval metatext Michael Issacharoff mise en scène Mnouchkine's mode Molière movement Paris Pavis Perleminouze perlocutionary Pirandello playscript Poetics pragmatics praxis production punctum Quince radio drama radio plays Rama Ramlila Ramnagar reception referential refers Richard Schechner ritual Roland Barthes role Rooney Rosalind Schechner script semiotics Semiotics of Theatre Shakespeare's sign-referent sound effects spectator speech act stage directions stage signs Styan textual Théâtre Theatre and Drama theatrical theory Things with Words tion University Press utterance verbal channel visual Yaqui Yaqui Easter