Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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29 페이지
... termed verbal antithefis , is ftudied by low writers , because of a certain degree of live- linefs in it . They do not confider how incon- gruous it is , in a grave compofition , to cheat the reader , and to make him expect a contraft ...
... termed verbal antithefis , is ftudied by low writers , because of a certain degree of live- linefs in it . They do not confider how incon- gruous it is , in a grave compofition , to cheat the reader , and to make him expect a contraft ...
49 페이지
... , I obferve , that it is the eafieft of all in- version , even fo eafy as to be confiftent with a VOL . II . D ftyle ftyle that is properly termed natural witness the following examples Sect . II . BEAUTY OF LANGUAGE . 49.
... , I obferve , that it is the eafieft of all in- version , even fo eafy as to be confiftent with a VOL . II . D ftyle ftyle that is properly termed natural witness the following examples Sect . II . BEAUTY OF LANGUAGE . 49.
50 페이지
... termed inverfion ; because , by a dif- junction of words intimately connected , it re- cedes farther from a natural ftyle . But this li- cence has alfo degrees ; for the disjunction is more violent in fome cafes than in others . This I ...
... termed inverfion ; because , by a dif- junction of words intimately connected , it re- cedes farther from a natural ftyle . But this li- cence has alfo degrees ; for the disjunction is more violent in fome cafes than in others . This I ...
74 페이지
... termed a climax in fenfe , has escaped Lord Bolingbroke in the first member of the following period : Let but one great , brave , difinterested , active man a- rife , and he will be received , followed , and almost ado- red . The ...
... termed a climax in fenfe , has escaped Lord Bolingbroke in the first member of the following period : Let but one great , brave , difinterested , active man a- rife , and he will be received , followed , and almost ado- red . The ...
80 페이지
... termed natural , which corresponds to the natural order of the ideas that compofe the thought . The tendency of ma- ny of the foregoing rules , is to fubftitute an arti- ficial arrangement , in order to reach fome beauty either of found ...
... termed natural , which corresponds to the natural order of the ideas that compofe the thought . The tendency of ma- ny of the foregoing rules , is to fubftitute an arti- ficial arrangement , in order to reach fome beauty either of found ...
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abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
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184 페이지 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
327 페이지 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
234 페이지 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
277 페이지 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
234 페이지 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
312 페이지 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
235 페이지 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
332 페이지 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
432 페이지 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
277 페이지 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...