The Poetical Works of John Milton, 5±ÇJohn Macrone, 1835 |
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... whole is written in John- son's best manner ; but I venture , however pre- sumptuous it may appear , to assert that it is based on a theory wholly wrong . Johnson assumes , as many others have done , that the true heroic verse is the ...
... whole is written in John- son's best manner ; but I venture , however pre- sumptuous it may appear , to assert that it is based on a theory wholly wrong . Johnson assumes , as many others have done , that the true heroic verse is the ...
18 ÆäÀÌÁö
... whole drama is in the highest degree of elevation : the thoughts , sentiments , and words are those of a mental giant . Added to the mighty interest which these create , is the conviction that through the whole the poet has a relation ...
... whole drama is in the highest degree of elevation : the thoughts , sentiments , and words are those of a mental giant . Added to the mighty interest which these create , is the conviction that through the whole the poet has a relation ...
21 ÆäÀÌÁö
... whole book as a tragedy , into acts distinguished each by a chorus of heavenly harpings and song between . Heretofore men in highest dignity have laboured not a little to be thought able to compose a tragedy of that honour Dionysius the ...
... whole book as a tragedy , into acts distinguished each by a chorus of heavenly harpings and song between . Heretofore men in highest dignity have laboured not a little to be thought able to compose a tragedy of that honour Dionysius the ...
22 ÆäÀÌÁö
... whole drama be found not produced beyond the fifth act . Of the style and uniformity , and that commonly called the plot , 5 Though ancient tragedy use no prologue . That is , no prologue apologising for the poet , as we find the ...
... whole drama be found not produced beyond the fifth act . Of the style and uniformity , and that commonly called the plot , 5 Though ancient tragedy use no prologue . That is , no prologue apologising for the poet , as we find the ...
23 ÆäÀÌÁö
... of time , wherein the whole drama begins and ends , is , according to ancient rule and best example , within the space of twenty - four hours . ARGUMENT ¥Ó¥Ï SAMSON AGONISTES . SAMSON , made captive , PREFACE TO SAMSON AGONISTES . 23 3333.
... of time , wherein the whole drama begins and ends , is , according to ancient rule and best example , within the space of twenty - four hours . ARGUMENT ¥Ó¥Ï SAMSON AGONISTES . SAMSON , made captive , PREFACE TO SAMSON AGONISTES . 23 3333.
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alludes allusion ancient appear beautiful bright brother called Caphtor character charms chastity Chorus Circe Comus Dagon Dalila dance dark daughter death delight divine doth drama Earl of Bridgewater edit Egerton enchanted enemies Euripides evil expression eyes fable Faer fair fairy Faithful Shepherdess father Fletcher's Faithful friends glory gods Harefield hast hath head Heaven Henry honour hy©¡na iambic imagery John John Spenser king Lady language light Lord Lord Brackley LUDLOW CASTLE Manoah Mask Milton mind mortal nature never NEWTON night noble numbers nymph observed Ovid Paradise Lost passage pastoral perhaps Philistines poem poet poetical poetry Sabrina Samson Agonistes says seems sense sentiment Shakspeare Shakspeare's shepherd sister solemn song soul speaking Spenser spirit spondee strength sublime supposed sweet Tempest thee thou thought THYER tion TODD tragedy verse virgin virtue Warburton WARTON wild winds wood words youth